1st Edition

The Regional and Transregional in Romanesque Europe




  • Available for pre-order. Item will ship after November 30, 2021
ISBN 9780367752552
November 30, 2021 Forthcoming by Routledge
448 Pages 39 Color & 350 B/W Illustrations

USD $44.95

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Book Description

The Regional and Transregional in Romanesque Europe considers the historiography and usefulness of regional categories, and in so doing explores the strength, durability, mutability and geographical scope of regional and transregional phenomena in the Romanesque period.

This book addresses the complex question of the significance of regions in the creation of Romanesque, particularly in relation to transregional and pan-European artistic styles and approaches. The categorization of Romanesque by region was a cornerstone of 19th and 20th scholarship, albeit one vulnerable to the application of anachronistic concepts of regional identity. Individual chapters explore the generation and reception of forms, the conditions that give rise to the development of transregional styles and the agencies that cut across territorial boundaries. There are studies of regional styles in Aquitaine, Castile, Sicily, Hungary and Scandinavia, workshops in Worms and the Welsh Marches, the transregional nature of liturgical furnishings, the cultural geography of the new monastic orders, metalworking in Hildesheim and the valley of the Meuse, and the links which connect Piemonte with Conques.

The Regional and Transregional in Romanesque Europe offers a new vision of regions in the creation of Romanesque relevant to archaeologists, art historians and historians alike

Table of Contents

The Epistemological, Political and Practical issues affecting Regional Categories in French Romanesque Architecture

Claude Andrault-Schmitt

Hans Kubach’s Treatment of Regions in the Study of Romanesque architecture

Eric Fernie

Did Zodiaque’s Regional Portrayal create a False Impression as to the Nature of Romanesque?

Philip Bovey

Romanesque Sculpture in Aquitaine: A History of the Marginalisation of a Widely Imitated Regional Sculptural Style

Marcello Angheben

The Baldachin-Ciborium: The Shifting Meanings of a Restricted Liturgical Furnishing in Romanesque Art

Manuel Castiñeiras

Hildesheim as a Nexus of Metalwork Production, c. 1130 – 1250

Gerhard Lutz

‘Mosan’ Goldsmithing and its Diffusion in the Rhineland, France and England

Aleuna Macarenko

Winchester’s Holy Sepulchre Chapel and Byzantium: Iconographic Transregionalism?

Cecily Hennessy

Transregional Dynamics, Monastic Networks: Santa Fede in Cavagnolo, Conques and the Geography of Romanesque Art

Michele Vescovi

Tiron on the Edge: Cultural Geography, Regionalism and Liminality

Bonde and Maines

Four Romanesque Cistercian Abbey Churches in Lesser Poland: The Context of their Foundation

Tomasz Weclawowicz

The Cathedral of Catania and the Creation of the Norman County of Sicily: Transregional and Transalpine models in the Architecture of the Late Eleventh Century

Tancredi Bella

‘School’ or Masons’ Workshop? Reflections on the so-called Wormser Bauschule and on the Definition of Regional Style

Wilfried Keil

Towards an Anatomy of a Regional Workshop: The ‘Herefordshire School’ Revisited

John McNeill

Crossing the Pyrenees: Migration, Urbanization and Transregional Collaboration in Romanesque Aragon

Julia Perratore

Transregionalism and Particularity in the Romanesque Woodcarving of 12th-Century Catalonia

Jordi Camps

Romanesque Woodcarvers and Plasterers in the Abruzzi: The Mediterranean Connection

Gaetano Curzi

A country without regions? The case of Hungary

Béla Zsolt Szakács

Reassessing the Problem of Scandinavian Romanesque

Benjamin Zweig

The Creation of Castilian Identity under Alfonso VIII and Leonor Plantagenet

Elizabeth Valdez del Álamo

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Editor(s)

Biography

John McNeill teaches at Oxford University’s Department of Continuing Education, and is Honorary Secretary of the British Archaeological Association, for whom he has edited and contributed to volumes on Anjou, King’s Lynn and the Fens, the medieval cloister, and English medieval chantries. He was instrumental in establishing the BAA’s International Romanesque Conference Series and has a particular interest in the design of medieval monastic precincts.

Richard Plant has taught at a number of institutions and worked for many years at Christie’s Education in London, where he was deputy academic director. His research interests lie in the buildings of the Anglo-Norman realm and the Holy Roman Empire, in particular in architectural iconography. He is Publicity Officer for the British Archaeological Association, and in addition to this volume co-edited Romanesque and the Past (2013), Romanesque Patrons and Processes (2018), and Romanesque Saints, Shrines and Pilgrimage (2020).