1st Edition
The Rise of the Must-See Exhibition Blockbusters in Australian Museums and Galleries
Contents
List of figures
Acknowledgements
Abbreviations and acronyms
Introduction
Part I Laying the foundations: culture, spectacle, exhibitions, 1850s–1940s
Chapter 1: International expositions: social, scientific and spectacular
Chapter 2: Private interests: championing temporary exhibitions and setting the standards of taste
Part II The rise of the blockbuster, 1950s–1990s
Chapter 3: In the national interest: the growing role of government support
Chapter 4: Building capacity and professionalism: confident cultural leadership fortifies the blockbuster
Part III Blockbuster or bust: the necessity of the blockbuster in the twenty-first century
Chapter 5: Relinquishing the national: state support and competition
Chapter 6: Global buy-in and blockbuster tropes
Chapter 7: Scholarship and the exportation of Australian exhibitions
Epilogue
Index
Biography
Anna Lawrenson is a Lecturer in the Museum and Heritage Studies Program at the University of Sydney. Her career has spanned critical museology and applied practice, having worked in academia and the arts sector. Her research is concerned with how the history, funding and administration of public museums shapes public engagement through exhibitions and programs.
Chiara O’Reilly is the Director of the Museum and Heritage Studies program at the University of Sydney. Her research has grown out of an interest in the complexity of the French Romantic movement and currently has a specific focus on the history of museums and galleries, institutional collections and exhibitionary space.
