Introduction – Joshua Polster
Part 1 – Colonialism
Colonial and Native Rule in Performance
1. Buffalo Bill’s Wild West Show
2. Madame Butterfly – David Belasco
3. The Pan-American Exposition
4. The Great Divide – William Vaughan Moody
Part 2 – Race and Ethnicity
Minstrels and Tom Shows
5. Uncle Tom’s Cabin
Anti-Lynching Plays
6. Rachel – Angelina Weld Grimké
Immigration and Vaudeville
7. Vaudeville Humour – Ed Lowry
8. I’m Going to Mexico – Netty and Jesus Rodriguez
9. Te Ata
Part 3 – Gender and Sexuality
Feminism and Feminist Theatre
10. Trifles – Susan Glaspell
11. How Poor Women Prostitute Themselves – Luisa Capetillo
The Sexual Revolution and Broadway
12. Sex – Mae West
13. Machinal – Sophie Treadwell
Part 4 – Economic Structure
The Great Depression and the Workers’ Theatre Movement
14. Scottsboro, Limited – Langston Hughes
15. Waiting for Lefty – Clifford Odets
The New Deal and the Federal Theatre Project
16. The Revolt of the Beavers – Oscar Saul and Lou Lantz
17. One Third of a Nation – Arthur Arent
Part 5 – Systems of Government
The Rise of Fascism, Isolationist and Interventionist Theatre
18. It Can’t Happen Here – Sinclair Lewis and John C. Moffitt
19. The Skin of Our Teeth – Thornton Wilder
20. Watch on the Rhine – Lillian Hellmann
Part 6 – Queer and Psychoanalytic Theory
Performing the Closet: Coded Gay Dramas
21. Summer and Smoke – Tennessee Williams
The Rise of U.S. Psychoanalysis and Freud Onstage
22. The Iceman Cometh – Eugene O’Neill
23. Death of a Salesman – Arthur Miller
Biography
Joshua Polster
"This volume distinguishes itself by coupling an effective and diverse survey of US drama with invaluable critical and primary sources. Its supplementary materials provide a rich context for the plays and performances included, and are helpfully accessible to undergraduate students."
- Lindsay Hunter, SUNY – Buffalo, USA
"What makes The Routledge Anthology of US Drama 1898-1949 extraordinary are the supplemental materials - the "artifacts of culture" - which contextualize our performance practices within a given moment without relying on the mythologizing meta-narratives of the progression of our dramatic art. Rather, Polster offers an interdisciplinary approach that provides a new direction for the ways in which we can teach (and learn) about our dramatic arts and ourselves. This anthology may be the most important, at the very least most comprehensive, collection of plays, essays, historical records, and artifacts focused on this era."
- John Patrick Bray, University of Georgia, USA
