1st Edition

The Routledge Companion to Architectural Drawings and Models From Translating to Archiving, Collecting and Displaying

Edited By Federica Goffi Copyright 2022
    608 Pages 201 B/W Illustrations
    by Routledge

    Architectural drawings and models are instruments of imagination, communication, and historical continuity. The role of drawings and models, and their ownership, placement, and authorship in a ubiquitous digital age deserve careful consideration. Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarship, questioning the significance of the lives of drawings and models after construction.

    Including emerging, well-known, and world-renowned scholars in the fields of architectural history and theory and curatorial practices, the thirty-five contributions define recent research in four key areas:

    • drawing sites/sites of knowledge construction: drawing, office, construction site;
    • the afterlife of drawings and models: archiving, collecting, displaying, and exhibiting;
    • tools of making: architectural representations and their apparatus over time; and
    • the ethical responsibilities of collecting and archiving: authorship, ownership, copyrights, and rights to copy.

    The research covers a wide range of geographies and delves into the practices of such architects as Sir John Soane, Superstudio, Eugène-Emmanuel Viollet-le-Duc, Frank Lloyd Wright, Wajiro Kon, Germán Samper Gnecco, A+PS, Mies van der Rohe, and Renzo Piano.

    Part 1 Drawing Sites/Sites of Knowledge Construction: Drawing, Office, Construction Site

    1 A Well-Sited Archive: The Carlo Scarpa Archive at the Castelvecchio Museum

    Alba Di Lieto

    2 The "House Arrest" of Michelangelo’s Mural Drawings

    Jonathan Foote

    3 Representing Geohistory: Exploring Drawing as Reconstruction in the Archives of Eugene-Emmanuel Viollet-le-Duc

    Aisling M. O’Carroll

    4 Buildings as Unsolicited Drawing Surfaces: An Atlas of Athenian Inscriptions

    Konstantinos Avramidis

    5 Brazilian Architectural Archives and Contemporary Challenges: The Archives of Paulo Mendes da Rocha, Gregori Warchavchik, Lina Bo Bardi, Roberto Burle Marx, Lúcio Costa, and Oscar Niemeyer

    Sol Camacho

    6 The Place of Models and Drawings in Sir John Soane’s House and Museum

    Helen Dorey

    7 The Fabbriceria and the Mise en a-BIM: Where and What Are We Trying to Hide?

    Claudio Sgarbi and Jesse Rafeiro

    8 Finding Traces in Germán Samper’s Sketches: Making Public the Private Archive

    Maria Elisa Navarro Morales, Cristina Albornoz Rugeles, and Alejandro Henríquez Luque

    9 The Living Archive: The Renzo Piano Building Workshop and the Renzo Piano Foundation

    Renzo Piano (RPBW), Chiara Bennati, Nicoletta Durante, and Giovanna Langasco (RPF), Interviewed by Federica Goffi

    Part 2 The Afterlife of Drawings and Models: Archiving, Collecting, Displaying, and Exhibiting

    10 Chance and Change: The Survival and Significance of Architectural Drawings and Models

    Olivia Horsfall Turner

    11 Life and Afterlife of a Design Process: Models and the Building of the Royal Albert Hall

    Simona Valeriani

    12 Thin Sheets: Tracing Openings within the Archival Matter of Alison + Peter Smithson

    Ashley Mason

    13 The Intimate Archive: Sites of Representation and Embodiment in a Reading of Drawing Matter

    Sophia Banou

    14 Monuments in Motion: Exhibiting the Full-Scale Replicas from the Barcelona School of Architecture Collection

    Carolina B. García-Estévez

    15 The Secret Afterlife of Three Drawings and the Reproduction They Spawned

    Adam Sharr

    16 The Singular Afterlife of What Was Once an Architectural Model

    João Miguel Couto Duarte

    17 Everlasting Inspirations of Archival Architectural Drawings in Japan: Traveling Avant-Garde Survey Sketches by Wajiro Kon

    Izumi Kuroishi

    18 When Is Architecture Art? Architectural Representations and the Postmodern Art World, or, Socioaesthetics

    Jordan Kauffman

    19 Cold War Odyssey: The Story of Mies van der Rohe’s Drawings and Papers

    Dietrich Neumann

    Part 3 Tools of Making and Knowledge Construction: Architectural Representations and Their Apparatus over Time

    20 I Will Begin with the Jar of Empty Pen Caps: The Architectural Archives of the University of Pennsylvania

    William Whitaker

    21 Animate Instruments: Imagination and Architectural Drawing Tools

    Paul Emmons

    22 The Architectural Office Space as a Measuring Tool

    Marian Macken, Sarosh Mulla, and Aaron Paterson

    23 Tear It Down! Agency and Afterlife of Full-Size Models

    Fabio Colonnese

    24 On the Archive Table: Embodiment, Objectivity, and the Construction of Historical Knowledge

    Athanasiou Geolas

    25 How Wrapping Paper Transforms Its Contents: City Metaphors and O. M. Ungers’ Ghost Images

    Samuel Korn

    26 108 Embodiments of Potential Architecture: On Sisyphean Digital Libraries of Projects

    Jean-Pierre Chupin and Carmela Cucuzzella

    27 The Nature of Architecture: The Primitive Hut and the Nordic Pavilion

    Jonathan Hill

    Part 4 The Ethical Responsibilities of Collecting and Archiving: Authorship, Ownership, Copyrights, and Rights to Copy

    28 A Collector’s Ethical Responsibilities? Álvaro Siza’s Social Housing Projects at the Drawing Matter Archive

    Niall Hobhouse, Interviewed by Andrew Clancy

    29 The Move of the Frank Lloyd Wright Drawings and Models: From Private Archive to Public Collection and Its Promotion of Use and Deterrence of Abuse

    Neil Levine

    30 After the Original (the Afterimage): High Costs, Low Roads, and Circumventions

    Marcia F. Feuerstein

    31 Rise and Fall of a Draftsman: A Biographic Reading of the Lequeu Legacy at the National Library of France

    Elisa Boeri

    32 Collecting "Slowly but Surely" Constructing the Swedish Museum of Architecture in Stockholm

    Christina Pech

    33 On the Silence of the Colonial Archive: Examining Sensorial Agency through the Archival Drawings of Indian Residential Schools in Canada

    Émélie Desrochers-Turgeon

    34 The Luis Barragán Archives: A Long and Controversial Story

    Louise Noelle

    35 The Anxiety of Architectural Archives

    Janet Parks


    Federica Goffi, PhD, is Interim Director, Professor of Architecture, and Co-Chair of the PhD and MAS Program in Architecture at the Azrieli School of Architecture and Urbanism at Carleton University, Ottawa, Canada. Her book, Time Matter[s]: Invention and Re-imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s in the Vatican, was published by Ashgate in 2013. Her recent edited volumes include Marco Frascari’s Dream House: A Theory of Imagination (Routledge 2017); InterVIEWS: Insights and Introspection in Doctoral Research in Architecture (Routledge 2019), and the coedited Ceilings and Dreams: The Architecture of Levity (Routledge 2019). She is the editor of And Yet It Moves: Ethics, Power, and Politics in the Stories of Collecting, Archiving and Displaying of Drawings and Models (Routledge 2021). She holds a PhD in Architecture and Design Research (Virginia Tech), a Dottore in Architettura (University of Genoa), and she is a licensed architect in her native country, Italy.

    "In 1916, when the first architectural drawings from the recent past were brought in to lie beside those of Palladio and Jones at the RIBA, Halsey Ricardo spoke of the 'pathetic eloquence' with which they pictured a society, culture, and patterns of thought of a time just past. It is vital, if such pictures are to be faithfully drawn, to explore the patterns of collection by which architectural drawings and models have been preserved; the differences between the archival discipline and the process of inquiry in examining them; and commonalities or divergences in characteristics of drawings that may derive from hundreds of thousands in a modern office, or the scarce fragments of a Renaissance studio or Enlightenment collector’s cabinet.  Here is a scrupulously curated conversation that—perhaps for the first time—does just that."

    Nicholas Olsberg, Former Director of the Canadian Centre for Architecture, Montreal

    "From tools of making to the documentation of built projects, drawings and models have long played a central role in the conceptual development of architectural projects. This momentous collection of essays brilliantly shows the development of the discipline by taking a new look at the traces left by the process of form generation, and offers glimpses of the potential for action in the contemporary world. The scope of subjects and the breadth of erudition makes this thought-provoking collection a must-read for anyone interested in the significance of architecture."

    Louise Pelletier, Director, Design Center, University of Quebec at Montreal (UQAM)

    "The archive has been a potent metaphor for scholars in recent decades, but this cornucopia of first-hand accounts insists on the archives as a physical site, one often deeply engaged in the politics of architecture and of reputations. A combination of oral history from those who have been at the helm of key collections and reflective texts on the very nature of architectural documents provides invitations for future historical work both for students launching a career and the most seasoned scholar alike."

    Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, New York (and former Chief Curator of Architecture and Design at the Museum of Modern Art, New York)