1st Edition
The Routledge Companion to Art and the Formation of Empire
Introduction: Solidifying as Rock: Enmeshed Layers of Empire
Emily C. Burns and Alice M. Rudy Price
Part I: Sediment: The Dynamic Elements of Place
1. Colonial Complicities Beyond the Empire. Czechoslovakia Inbetween Worlds and World’s Fairs
Marta Filipová
2. “The Kingdom Grown Out of a Little Boy’s Garden”: Dole Pineapples and Hawaiian Occupation in U.S. Art and Visual Culture
Shana Klein
3. Imperialism for the Million: Mass-market Glasshouses and the Botanical Arts of Empire
Emily E. Mangione
4. Meditating on Aivazovsky’s Black Sea: Representing Russian Imperial Expansion
Fatma Coşkuner
5. Beyond European Palettes: The Overlooked Contributions of Indigenized Artists in the Historiography of Painting in Mexico
Emmanuel Ortega
6. Beyond the Modernist Canon of Involuntary Aesthetic Colonization: Aina Onabolu's Mimicry as Rejection of Colonial Anti-modernity 1900-1930
Clement E. Akpang
7. Rambles in Natchez: John James Audubon and Colonial Aesthetics on the Mississippi Frontier (1820-1850)
Thomas Busciglio-Ritter
Part II: What Moves the Sediment: Exchange and Conflict
8. The Empire Looks Back: Derivativeness in Nineteenth-century Brazilian Art
Rafael Cardoso
9. “Southern Fragrance” of the Japanese Empire: Visualizing Botany in Colonial Taiwan
Chinghsin Wu
10. How to Interpret John B. Flannagan Through Empire
Roberta K. Tarbell
11. Face-Off: A Russian Prince at the Courts of India
John Webley
12. Orientalism, Arts, and Scottish Identity: David Roberts (1796-1864) and David Wilkie (1785-1841) in the Ottoman Levant
Mohammad Sakhnini
13. Mapping the British Railways in Western Anatolia: From a Speculative to an Imperial Vision
Alexandra Solovyev
14. Manufacturing Empire: The Visual and Material Culture of Chicago’s Marquette Building
Meagan Anderson Evans
15. The Italian Fascist Vision for the “World of Tomorrow” at the New York 1939 World’s Fair
Lucia Colombari
Part III: What Solidifies the Sediment into Rock: Forces of Homogenization (or Consolidation)
16. Maternal Orientalism: Women’s Work and the Photographs of Jessie Tarbox Beals at the Louisiana Purchase Exposition
Erin Hyde Nolan and Emily Voelker
17. ''Self-colonization' as a Cultural Strategy: Konstantin Korovin’s Image of Russian Northern Peripheries
Giulia Gelmi
18. Adapting Empire for the Buying Public: The Algerian Conquest and a Printed Adaptation of Gros’s Bonaparte Visiting the Plaguehouse at Jaffa
Alissa Adams
19. Surveying for Empire: Arthur Schott’s Boundary Pictures and the Slavery Extension Controversy
Alexis Monroe
20. Whose American South? Winslow Homer and The Cuban Question
Ramey Mize
21. Hegemony, Hierarchy, and Struggle in Korean Colonial Art: The Activities and Artworks of Shinichi Yamada
Minjong Shin
Biography
Emily C. Burns is Director, Charles M. Russell Center for the Study of Art of the American West, and Associate Professor of Art History at University of Oklahoma.
Alice M. Rudy Price is Adjunct Assistant Professor at Temple University, Tyler School of Art and Architecture, and Thomas Jefferson University, College of Architecture and the Built Environment.






