1st Edition

The Routledge Companion to Global Photographies

Edited By Lucy Soutter, Duncan Wooldridge Copyright 2025
    492 Pages 57 Color & 25 B/W Illustrations
    by Routledge

    In response to widespread demand for more knowledge and insight about contemporary photographies beyond Western centers of production and dissemination, this volume provides a transnational discussion, grounded in dialogue between authors and editors from diverse locations and contexts.

     

    Ecological and decolonial discourses around photography reveal the medium’s global entanglements: images produced on one side of the globe are the result of labors which span its full surface. At the same time, the multiplicity of approaches and understandings of the photograph reveal that even though it might seem like a universal language, we utilize its tools to radically different ends. The volume explores issues surrounding cultural translation, photography’s response to climate change, decolonial practices, network formation, new materialities, identities and the role of photobooks. It also provides in-depth surveys and case studies of global practices and theories, alongside interviews and roundtable discussions with key figures whose perspectives illuminate the contemporary field.

     

    This groundbreaking collection is an essential resource for academics and students working in or with photography, contextual studies, history and theory, but also media and cultural studies more broadly.

    The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

    Contents

     

    List of Illustrations

    List of Contributors

    Acknowledgements

     

    Global Photographies and Questions of Cultural Translation 

    Lucy Soutter 

     

    1. How to Use This Book

        Lucy Soutter and Duncan Wooldridge

     

    PART ONE

    Photography in the Anthropocene: Climate Change and Environment

    Edited by Jean Brundrit and Svea Josephy

     

    2. The View from the South 

         Anna Stielau

     

    3. Decolonising Detritus: (Re)cycles of Extraction and (e-)Waste in the Photographs of Jean Claude Nsabimana

        Svea Josephy, Jane Alexander and Jean-Claude Nsabimana

     

    4. The Politics of Water: Social Justice and Photography in the Anthropocene in KwaZulu-Natal, South Africa

        Annabelle Wienand and Thobani K 

      

    5. Antarctica, Ice, and Photography 

        Jean Brundrit 

     

    6. A Dialogic View from the North

        Marsha Meskimmon, Helen Glanville, Richard Hodgkins and Paul Wood 

     

    PART TWO

    Decolonial Practices: Speaking Back to the Canon

    Edited by Nina Mangalanayagam and Emese Mucsi

     

    7. Can We Use Photography Against Photography? An Interview with Rolando Vazquez Melken 

         Nina Mangalanayagam, Emese Mucsi and Rolando Vázquez Melken

     

    8. Decolonial Strategies and the Southasian Imagination: Auto-narrative, Archival Responses and Counter-narratives    

         Tanvi Mishra             

     

    9. ‘What’s Class Got to Do With It?’: Decoloniality, Spatiality, Class Struggle in the Photographs of The Evaton Peoples’ Archive

         Nomusa Makhubu

                                       

    10. Tongue in Cheek: Julie Edel Hardenberg’s Visual Language 

           Louise Wolthers

     

    11. Localising Identity and Understanding Legacy: A New Generation of Hungarian Photographers Search for the ‘Locus of Enunciation’          

          Ágnes Básthy

     

    12. Archive In Situ: Emese Mucsi and Nina Mangalanayagam in conversation with Jennifer Bajorek

          Jennifer Bajorek, Nina Mangalanayagam and Emese Mucsi 

     

    PART THREE

    Gender and Queer Theory in Photography Today: Identities and Histories

    Edited by Alejandra Niedermaier                              

     

    13. Visual Constellations

           Alejandra Niedermaier

                                       

    14. Expanded Sexual and Gender Identities

          Flora Dunster

                                                   

    15. Visual Disruptions of Global Landscapes

          Selfa A. Chew-Melendez

     

    16. Gender in Curation and Exhibition Design 

          Sandra Nagel and Jonathan Lalloz 

               

    17. Dissident Artists as Protagonists of Visibility Processes

          Josefina Goñi Bacugalupi

     

    18. Poetic, Critical and Political Resonance: Report from a Roundtable between Selfa A. Chew-Melendez, Flora Dunster, Josefina Goñi Bacugalupi, Sandra Nagel, Alejandra               

          Niedermaier and Jonathan Lalloz

          Alejandra Niedermaier

     

    PART FOUR

    New Materialities: Expanded Practices in Contemporary Art Photography

    Edited by Duncan Wooldridge and Rashi Rajguru 

     

    19. An Engine, Not a Camera: Curating Environmental Histories of Photography and Extraction 

          Boaz Levin

     

    20. Cut and Paste: Performing History, Materiality, and the Family Album in the Work of Lebohang Kganye

          Svea Josephy and Lebohang Kganye

    21. Public Arrivals, Private Departure: The Life of Images at Chobi Mela and Photo Kathmandu

          Veeranganakumari Solanki

                                                                                                   

    22. The Physical Lives of Images, Their Matter, Appearances and Disappearances in the Context of Beirut

          Gregory Buchakjian

     

    23. The Stickiness of Images: Materiality and Attention in Contemporary European Photographies

          Duncan Wooldridge

     

    24. The Archive of Unnamed Workers: Examining the Legacy of Colonial-era Photography in AI        

          Theopisti Stylianou-Lambert and Alexia Achilleos

     

    25. Cai Dongdong's Artistic Trajectory: From Conceptual Image Making to Photographic Installation

          He Yining and Cai Dongdong

      

    PART FIVE

    Forming Communities: Networks, Platforms and Institutions

    Edited by Camilo Páez Vanegas 

     

    26. A Mapping of Photo Communities in Southeast Asia 

          Zhuang Wubin

     

    27. Photography and Trans-Africanism: A Story of Journeys

           Emeka Okereke

     

    28. Collection and Educational Dissemination: A Case Study in Bogotá, Colombia

          Camilo Páez Vanegas

     

    29. Towards A New Arts Ecosystem: PhotoIreland’s Strategy in Converging Communities around Photography

           Ángel Luis González Fernández

     

    30. Towards an Artisanal Intelligence: Reflections from the Academic Periphery in Latin America

          Camilo Páez Vanegas, Anamaría Briede Westermeyer, Ana Casas Broda, Alexander Fattal and Gisela Volá

     

    PART SIX

    Global Approaches to Photobooks: From Production to Distribution

    Edited by Yinhua Chu and Zhuang Wubin 

     

    31. The Expansion of the Photobook: From Traditional to Post-digital

          Yinhua Chu

     

    32. The Photobook as Shape Shifter in the Expanded Realm of Contemporary Photography: Examples from South Korea

          Sunyoung Kim

     

    33. Transforming Perspectives: A Conversation with Yanyou Yuan Di, Pioneer of Chinese Contemporary Photographic Publishing

           He Yining and Yanyou Yuan Di

     

    34. Toward a Publishing Model to Come

           Ivan Vartanian

     

    35. Foto Fémina: Shaping the Narrative of Female Photographers from Latin America and the Caribbean 

          Verónica Sanchis Bencomo

     

    36. Curating Photobooks in Southeast Asia and Hong Kong: A Roundtable

           Zhuang Wubin, Hà Đào, Kalen Wing Ki Lee, Jeffrey J C Lim and Kurniadi Widodo

    Index

    Biography

     Lucy Soutter is an artist and writer based in London. She is Reader in Photography at the University of Westminster. Her work focuses on questions of value and meaning in the expanded field of photography and contemporary art. She is the author of Why Art Photography? (2nd ed. 2018), co-editor of Writer Conversations (2023) and writes for publications including 1000 Words, Photoworks and Source.

     

    Duncan Wooldridge is an artist and writer and is Reader in Photography at the School of Digital Arts, Manchester School of Art, Manchester Metropolitan University. His research explores experimentation, materialities and photography’s future tenses. He is the editor of John Hilliard: Not Black and White (2014), the author of To Be Determined: Photography and the Future (2021) and the co-editor of Writer Conversations (2023).

    “In this unprecedented geological era, the book chronicles the efforts of artists, photographers, writers, historians and institution builders to comprehend our time through the lens of photography, exploring its diversity, materiality, and the fractures it reveals.”

     - Sarker Protick, Photographer, Artist, and Co-curator Chobi Mela Festival

     “This Companion to Global Photographies is a remarkable and ambitious attempt in introducing a different, refreshing way to present some of the current, urgent conversations about Photography - one that is multi-directional, polycentric and collaborative. By acknowledging and creating the space for the many perspectives and opacities around the thematics approached, the book presents itself as a powerful set of tools to approach photography as a medium in constant expansion, addressing its global interconnections. A welcomed initiative that will hopefully set fertile ground for more.”  

     - Elisa Medde, Independent Publisher and Curator