The Routledge Companion to Korean Literature consists of 35 chapters written by leaders in the field, who explore significant topics and who have pioneered innovative approaches. The collection highlights the most dynamic current scholarship on Korean literature, presenting rigorous literary analysis, interdisciplinary methodologies, and transregional thinking so as to provide a valuable and inspiring resource for researchers and students alike. This Companion has particular significance as the most extensive collection to date of English-language articles on Korean literature; it both offers a thorough intellectual engagement with current scholarship and addresses a broad range of topics and time periods, from premodern to contemporary. It will contribute to an understanding of literature as part of a broad sociocultural process that aims to put the field into conversation with other fields of study in the humanities and social sciences.
While presenting rigorous and innovative academic research that will be useful to graduate students and researchers, the chapters in the collection are written to be accessible to the average upper-level undergraduate student and include only minimal use of academic jargon. In an effort to provide substantially helpful material for researching, teaching, and learning Korean literature, this Companion includes as an appendix an extensive list of English translations of Korean literature.
Introduction
"Redefined and Challenged: Anthologizing Korean Literary Studies"
Heekyoung Cho
Part I. Premodern and Early Modern Korean Literature
Section I. Manuscript Culture, Materiality, Performativity
- Manuscript, Not Print, in the Book World of Chosŏn Korea (1392–1910)
- Performing Vernacular: Textual Practices as Bodily Events in Premodern Korea
- Books for the Illiterate: the Haengsil-to (Illustrated Guide for Moral Deeds) of Chosŏn Korea
- Print and Transnational Referentiality: Nam Kong-ch’ŏl’s Printing of Kŭmnŭng chip
- The Elite Vernacular Korean Culture of Chosŏn (1392-1910): Indeterminacy, Hybridity, Strangeness
- Lovesickness and Death in Seventeenth-Century Korean Literature
- Idu in and as Korean Literature
- Hybrid Orthographies and the Emergence of Modern Literature in Early Twentieth Century Korea
- Capital, Gender and Modernity in Colonial Korean Literature
- Sexual Violence and Its Ideological Labor: Imagining Masculinist Equality and Androcentric Ethnos in Colonial Korean Literature
- Incongruent Reflections: Translation and Bilingual Writings in Colonial Korea
- The Japanese Café France: Chŏng Chi-yong and Self-Translation
- Nonsense As Sensibility: The Importance of Not Being Earnest in Colonial Korea and Taiwan
- Language, Science, and the Status of Truth in Late Colonial Korea
- A Minor Modernist’s Conundrum of Representation: Kim Saryang and the Colonized I-Novel
- Rewriting the City: Yi Sang, Architecture, and the Figure of the Department Store
- A Forgotten Aesthetic: Reportage in Colonial Korea 1920s–1930s
- Literature (chŏnhyang sosŏl) and the Inward Gaze in the Late Colonial Period
- Decolonizing Literature: Bridging Political Divides in the Post-Liberation Period
- Vitalism and Existentialism in Early South Korean Literature
- Humanism as a Problem of Empire in Modern Korean Literature
- Gender and Class Dynamics in the Utilitarian Discourse of the Developmental State and Literature in 1970s and 80s South Korea
- (Dis-) embodiment of Memory: Gender, Memory, and Ethics in Human Acts by Han Kang
- Continuing Orality in Korean Poetry: Opening a P’an for the Page
- Ŏmma’s Baby, Appa’s Maybe: Black Amerasian Children and the Layers of Diaspora
- Intersecting Korean Diasporas
- Whose Korea is it? Reading Zainichi Literature Intersectionally
- Closed Borders and Open Letters in the Cold War Koreas
- A Good Wife is Hard to Find: North Korean Women in Fiction
- Children’s Literature in South and North Korea
- Forms of Attachment: Ardent Female Intimacies in 1920s Korea
- The Poet and the Theater: Perverse Reading and Queer Poetry
- World Literature, Korean Literature, and the Medical and Health Humanities
- Global Korea and World Literature
- The Text-Mining of Culture: The Case of a Popular Magazine in 1930s Korea
Park, Si Nae
Cho, Hwisang
Section II. Print, Medium, Transregional Interactions
Oh, Young Kyun
Son, Suyoung
Section III. Novel, Gender Dynamics, Transgression
Chizhova, Ksenia
Lee, Janet Yoon-sun
Section IV. Language and Writing, Vernacular, Hybridity
King, Ross
Pieper, Daniel
Part II. Modernity and the Colonial Period
Section I. Gender and Sexuality
Jeong, Kelly Y.
Lee, Jin-kyung
Section II. Translation and Crossing
Oh, Yoon Jeong
Krolikoski, David
Shih, Evelyn
Section III. Modernity and Coloniality
Hanscom, Christopher P.
Kwon, Nayoung Aimee
Kim, Jina E.
Section IV. Art and Politics
Park, Sunyoung
Shim, Mi-Ryong
Part III. Liberation and Contemporary Korean Literature
Section I. Decolonization, Cold War, and Humanism
Glade, Jonathan
Chung, Jae Won Edward
Workman, Travis
Section II. Politics, Memory, Orality
Suh, Serk-Bae
Lee, Ji-Eun
Yi, Ivanna Sang Een
Section III. Race, Diaspora, Intersectionality
Huh, Jang Wook
Yi, Christina
Textor, Cindi
Section IV. Division and North Korean Literature
Kief, I Jonathan
Kim, Immanuel
Zur, Dafna
Part IV. Queer Studies, World Literature, and the Digital Humanities
Section I. Queer Reading and Affect
Perry, Samuel
Kim, Ungsan
Section II. World Literature, Global Connections, and the Digital Humanities
Thornber, Karen
Medina, Jenny Wang
Lee, Jae-Yon and Kim, Hyun-Joo
Appendix: A Comprehensive List of English Translations of Korean Literature
Hyokyoung Yi
Biography
Heekyoung Cho is Associate Professor in the Department of Asian Languages and Literature at the University of Washington, Seattle. She is the author of Translation’s Forgotten History: Russian Literature, Japanese Mediation, and the Formation of Modern Korean Literature. Her articles discuss topics on translation and the creation of modern fiction, translation and censorship, serial publication, world literature, and webcomics. Her current research focuses on seriality in cultural production in both old and new media, including digital serialization and transmedial production, as well as graphic narratives and media platforms.