1st Edition
The Routledge Companion to Race in Early Modern Artistic, Material, and Visual Production
Part 1 Reframing Africa within Europe and the Americas
1. Making Sail and Making Race in Medieval and Early Modern Portuguese Literature
Adam Mahler
2. Studying the Image of the Morisco: Challenges and Pitfalls
Borja Franco Llopis and Francisco Javier Moreno Diaz del Campo
3. African Women in Rembrandt’s Work
Stephanie Archangel
4. The Materiality of "Dressing Up" in Early Modern Spanish Literature
Cornesha Tweede
5. Reconsidering Race and the Colonial Process: Dutch Self-Imaging in the Long Seventeenth Century
Alistair Watkins
6. Afro‑Surinamese Flag Shrines: Materializing Group Identity in the Eighteenth Century
Justin M. Brown
7. Nzinga Ndongo’s Depiction in Giovanni Cavazzi’s Istorica Descrizione (1687): Religious Conversion, Slave Trade, and Black Otherness
Marcelo Jose Cabarcas Ortega
8. Convict Labor, Slavery, and Race in the Strait of Magellan: The Case of an Anonymous Manuscript in Elizabethan England (1579–1589)
Carmen Channing‑Eberhard
9. Viewing Gloster: The Visual Culture of "Runaway" Advertisements in Eighteenth‑Century Jamaica
Emma Pearce
10. Black Matter: Assegais in Provincia de Venezuela
Guillermo Pupo Pernet
11. Visualizing Black Knighthood in Early Modern Iberia: Joao de Sa, the African Knight of Santiago in Chafariz d’el rei
Hector Linares
12. How to Tame Your Dragon: Saint Martha, Hechiceria, and Afro‑Catholic Expressive Culture in Sixteenth‑Century New Spain
Nathalie Miraval
13. Visions of Dignified Blackness: Labor and Sanctity in Ursula de Jesus’ Spiritual Diary
Maria Alejandra Penuela Hoyos
14. Constructing Racial Identity and Power in Music, Ceremonial Practices, and Indigenous Instruments in Early Modern African Kingdoms
Janie Cole
15. Resonances of the African Baroque among New Spanish Nuns
Cesar Favila
16. Blackness, Performance, and Individual Subjectivity between the Seventeenth and Eighteenth Centuries
Emily Wilbourne
17. Beyond "This Line": Visualizing Eleno de Cespedes
Sophia Nunez
18. Afro‑Brazilian Religious Architecture and Art
Miguel A. Valerio
19. The Art of Erasure: The Restoration and Conservation of the Portrait of Une femme du couleur libre Made in Antebellum New Orleans
Lucia Olubunmi Momoh
Part 2 Indigeneity and Early Decolonial Materials in Abya Yala and Turtle Island
20. Visions of Maize, Race, and Censorship in Early Colonial Mexico
Martin Vega
21. The Town of Mixcoac and Its Neighborhoods: Notes on Its Nahua Foundation
Antonio Augusto De Paz Palacios
22. Corn Is Blood: Pasta de cana de maiz as P’urhepecha Survivance
Dominique E. Polanco
23. In the Necklace: The Historia de Tlaxcala’s Colonial Representation of Kuskatan
Edward Anthony Polanco
24. Case Studies of the Colonial Chapels of Multiethnic Yucatec Neighborhoods
Maria de Guadalupe Suarez Castro
25. Dancing Bodies in the Maya Highlands: The Colonial‑Period Murals of Chajul, Guatemala
Victor Castillo and Jarosław Źrałka
26. The Bind of Andean Ethnicity: Textile Cranial Modification and the Stuff of Social Inequality
Kyle Marini
27. Beyond Race Constructs: Self‑Representation and Indigenous Authority in the Coat of Arms of the Cacique Mayor Sancho Hacho de Velasco
Catalina Andrango‑Walker
28. Ambiguous Race in Early Modern Quito Sculpture
Esteban Crespo
29. Race and Visions of Salvation in Colonial Andes
Yelsy Hernandez Zamora
30. Tracing Cahita Indigenous Architectural Agency in Jesuit Mission Churches of Northwest Mexico, 1591–1767
Cristina Urias‑Espinoza
31. Sovereign Stitches: Indigenous Body Arts on Turtle Island beyond the French Salon Tradition
Gloria Bell
32. Itom Hiak Noki: You Can Find Our Strength in Our Words
Anabel Galindo
Part 3 Transpacific Contestations and Reversals
33. Juana Manahin: The Exemplary Christian Tagalog Heiress (d. 1691)
Regalado Trota Jose
34. Diabolical Scriptworlds and the Visuality of Early Modern Multilingualism in the Spanish Philippines
Marlon James Sales
35. Indigenous datus’ Constructions of Colonial Enslavement in the Philippines of Spain’s Transpacific West
Nicholas C. Sy
36. "What Thing Is an Indian?" Casta and the "Race" Question in an Eighteenth‑Century Manuscript on Mexico and the Philippines
Ernest Rafael Hartwell
37. Images of Dress as Race‑Making Strategy in Spanish Colonial Philippines
Florina H. Capistrano‑Baker
38. The Multiethnic Artists and Artisans of the Spanish Pacific: Navigating Early Modern Race
Diego Javier Luis
39. Writing Anti‑Colonial Resistance and Transculturation in the Early Modern Spanish Pacific: Letters to the King of Spain from Chinese Communities in Manila
Yangyou Fang
40. The Arrival of the "Southern Barbarians": The Europeans and the Other Foreign Others in the Early Modern Japanese Nanban Screens
Haruko Wakabayashi
41. Re-Signifying of Ritual Practices in Early Modern Nagasaki: The Suwa Festival and the Christian Procession of Corpus Christi
David Rivera-Mosquera
42. Early Modern Korean Descriptions of Enslaved Black Africans: A Case Study
You‑Jin Kim
43. Balancing Act, Woman Passing: Transitions within the Colonial Image in the Hispanic Philippines
Patrick Flores
44. Mapping Race or Nation in the Kingdom of Hawai’i
Stacy L. Kamehiro
Biography
Nicholas R. Jones is Assistant Professor of Spanish and Portuguese at Yale University.
Christina H. Lee is Professor in the Department of Spanish and Portuguese at Princeton University.
Dominique E. Polanco is Assistant Professor in the Department of Religion and Culture at Virginia Tech.






