The Routledge Companion to Sound Studies  book cover
1st Edition

The Routledge Companion to Sound Studies

ISBN 9781138854253
Published November 2, 2018 by Routledge
406 Pages

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Book Description

The Routledge Companion to Sound Studies is an extensive volume presenting a comparative and historically informed understanding of the workings of sound in culture, while also mapping potential future directions for research in the field. Experts from a variety of disciplines within sound studies cover such diverse topics as politics, gender, media, race, literature and sport. Individual sections that consider the importance of sound in an increasingly mediated world; the role that sound media play in the construction of experience; and the ways in which sound has been theorized to produce a distinctive sensory contribution to knowledge.

This wide-ranging and vibrant collection provides a rich resource for scholars and students of media and culture.

Table of Contents

Introduction: Sound Studies and the Art of Listening

Section 1 Introduction: Sonic Epistemologies and Debates

  1. Holger Schulze: Sound As Theory 1863 – 2014: From Hermann von Helmholtz to Salome Voeglin
  2. Mark Grimshaw: What is Sound Studies?
  3. David Howes: Embodiment and the Senses
  4. Nina Sun Eidsheim: Multisensory Investigation of Sound, Body and Voice.
  5. Neil Verma: The Return to Sound Aesthetics
  6. Christabel Stirling: Sound, Affect, Politics
  7. Section 2Introduction: Sonic Conflicts, Concepts and Culture

  8. Richard Rath: Silence and Noise
  9. Karin Bijsterveld: Sound Waves of Protest: Noise Abatement Movements
  10. David Goodman: Propaganda and Sound
  11. Alex Corey: Sounding Out Racial Difference
  12. Marie Thompson: Gendered Sound
  13. Amanda Cachia: Mapping Hearing Impairment: Sound/Tracks in the Corner Space
  14. Jonathan Pieslak: Sound and terrorism: Exploring the World of the Islamic State
  15. Section 3Introduction: Sonic Spaces and Places

  16. John M. Picker: The Turning of a Word: Soundscape to Soundscapes
  17. Tim Edensor: The Sonic Rhythms of Place
  18. Bennett Hogg: Geographies of Silence
  19. Meri Kyto: Public and Private Space: Sound Transformations
  20. Yiu-Fai Chow: Diaspora as Method. Music as Hope
  21. Section 4 Introduction: Sonic Skills: Finding, Recording and Researching.

  22. Salome Voeglin: Technologies of Sound Art
  23. Carolyn Birdsall: Found in Translation: Recording, Storing and Writing of sounds
  24. Shannon Mattern: Sonic Archaeologies
  25. Blake Durham: Curating Online Sounds
  26. Tom Rice: Ethnographies of Sound
  27. Frauke Berendt: Soundwalking
  28. Paul Nataraj: Surface Tension: Sheena and Bowie’s ‘Station to Station’ as Palimpsest.

    Section 5 Introduction: Technology, Culture and Sonic Experience.

  30. Julian Henriques and Hillegonda C Rietveld: Echo
  31. Thor Magnusson: Sound and Music in Networked Media
  32. Louis Neibur: Ordinary and Avant-Garde Sound in British Radio’s Early Years.
  33. Jacob Smith: Remastering the Recording Angel
  34. Alex Russo: Radio Sound
  35. Tom Artiss: Structures of Sonic feeling.
  36. Cara Wallis: Gender and the Telephonic Voice.
  37. Section 6 Introduction: Sound Connections

  38. James Mansell: Ways of Hearing: Sound, Culture and History
  39. Justin St Clair: Literature and Sound
  40. Martyn Hudson: The Sociology of Sound
  41. Ian Reyes: Popular Music as Sound and Listening
  42. Tim Wall: Radio Sound
  43. Ben Powis and Thomas F. Carter: Sporting sounds

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Michael Bull is Professor of Sound Studies at the University of Sussex. His works include Sounding Out the City: Personal Stereos and the Management of Everyday life (2000) and Sound Moves: iPod Culture and Urban Experience (2007) He has just completed a monograph on Sirens and is presently writing a monograph on Reinterpreting the Sounds of World War 1. He is the co-founding editor of the journals Senses and Society and Sound Studies (both with Routledge) and is editor of the book series The Study of Sound.