The Science and Art of Dreaming
The Science and Art of Dreaming is an innovative text that reviews the neuroscience and psychology of how dreams are produced, how they are recalled and their relationship to waking life events and concerns of the dreamer. Featuring beautiful original artwork based on dream representations, the book delves deeply into what happens when we dream, the works of art we produce when asleep and the relevance of dreaming to science, art and film.
The book examines the biological, psychological and social causes of dreaming, and includes recent advances in the study of nightmares and lucid dreaming. It shows how sleep can process memories and that dreams may reflect these processes, but also that dreams can elicit self-disclosure and empathy when they are shared after waking. The playfulness, originality and metaphorical content of dreams also link them to art, and especially to the cultural movement that has most valued dreams – Surrealism. The book details the history of scientific research into dreams, including a re-reading of the two dreams of Freud’s patient, the feminist hero Dora, and also the history of Surrealism and of films that draw on dreams and dream-like processes. Each chapter starts with a dream narrative and accompanying painting of the dream to highlight aspects of each of the chapter themes.
This highly engaging book will be relevant to researchers, students and lecturers in the fields of psychology, neuroscience, psychoanalysis, consciousness and social evolution. It will also be of value within the study and practice of visual art, design and film, and will be of interest to the general reader and anyone who holds a personal interest in their own dreams.
'This unique collaboration between a dream researcher and an artist provides a comprehensive summary of decades of dream research and a novel idea for a function of dreaming, while at the same time celebrating the creativity and uniqueness of our dreams, along with beautiful artworks.' - Katja Valli, Professor of Cognitive Neuroscience, University of Skövde, Sweden
'Why we dream is a major question in neuroscience and psychology. Blagrove and Lockheart provide novel and compelling insights into this debate and extend it to the realms of our social world, art and evolution.' - Antonio Zadra, PhD, co-author of When Brains Dream
'Each chapter of this book presents major research findings while maintaining the personal touch of a dream relevant to each topic and Julia Lockheart’s evocative paintings to remind us how predominantly visual dreams are.' - Deirdre Barrett, PhD, Harvard Medical School, author of The Committee of Sleep and Pandemic Dreams
'An innovative multidimensional work that dovetails highly creative artistic renderings of dreams with an authoritative account of current trends in dream research and theory.' - Tore Nielsen, PhD, Dream and Nightmare Laboratory, Montreal, Canada
'This book accomplishes the rare feat of being delightful, informative, and provocative all at the same time. As one small example of its many insights, it argues that dreams may not have a function during sleep, but nonetheless may have been important in human evolution because our ancestors increasingly shared and discussed their dreams when they gathered around their nightly fires.' - G. William Domhoff, PhD, University of California Santa Cruz, author of The Neurocognitive Theory of Dreaming: The Where, How, When, What, and Why of Dreams
"The Science and Art of Dreaming constitutes an utterly unique project. For centuries, poets and philosophers have explored how art functions like dreams; psychologists have analyzed how dreams resemble art. But has anyone till now both methodically and creatively responded to the universal phenomenon of dreaming by marrying art to research and theory, and putting science to the service of creative expression? Blagrove and Lockheart’s work literally illustrates our most common questions about dreams and dreaming with a selection of 22 dreams, accompanied by artworks that in their own way address the same issues as the explanatory text: Why are dreams so often bizarre? Why do they transport us to the past, and in such detail? Is Freud’s view still relevant? This book vividly justifies the appreciation of art associated with dreaming—Surrealism and oneiric cinema, for example—as intellectually on a par with the theoretical contributions and empirical research of science, and convincingly demonstrates the benefits of recalling and sharing dreams, especially for people in creative endeavors.
Bernard Welt, PhD. Professor Emeritus, The Corcoran School of the Arts and Design, George Washington University. Author of Mythomania: Fantasies, Fables, and Sheer Lies in Contemporary American Popular Art; Co-author of Dreaming in the Classroom: Practices, Methods, and Resources in Dream Education