1st Edition

The Self-Sustaining Filmmaker Creating Crowdsourced, Crowdfunded & Community-Supported Independent Film

By Marty Lang Copyright 2025
    224 Pages 26 B/W Illustrations
    by Routledge

    224 Pages 26 B/W Illustrations
    by Routledge

    This book provides guidance on how to build an independent, financially sustainable filmmaking career through channels such as crowdsourcing, crowdfunding, and community filmmaking concepts.

    Through real-life experiences, Marty Lang provides insight on how to use these key concepts through every stage of a film’s lifecycle – from distribution (the stage that should be figured out first), through development, screenwriting, prep, production and post, all the way through marketing and the film’s release. By thinking of filmmaking as a start-up company, and looking at how businesses make money, Lang creates a completely independent financial model for films, turning filmmakers into businesspeople, conscious of the needs of their audiences, and empowered to use their creative work to make their living. Using interviews with leaders in the field, case studies, and practical experience gained from 20 years of community filmmaking, this book unveils an exciting, new way to make films that prioritizes a collaborative, entrepreneurial mindset at every stage.

    This is an essential guide for aspiring and seasoned filmmakers alike looking to understand and apply crowdsourcing as an effective tool in their career.

    Foreword by Mark Duplass, Emmy-winning actor/writer/director/producer and president of Duplass Brothers Productions

    Acknowledgements

     

    Ch. 1: A NEW PARADIGM

     

    Ch. 2: FROM FILMMAKER TO ENTREPRENEUR

    Creating An Entrepreneurial Mindset, Not a Business One

    Answering the Business Questions

    Translating the Mindset into Filmmaking

    Your Film is a Startup … And It Isn’t

    Business in the Real World

    Interview: Founder/CEO of Seed&Spark Emily Best

     

    Ch 3: DEVELOPMENT

    What is Crowdsourcing?

    Crowdsourcing Your Story

    Who is Your Audience?

    Publicity and Teambuilding Begins Now

    The Importance of Scheduling

    Development for DEADBRAINS

    Interview: Screenwriter/Filmmaker Brandi Nicole

     

    Ch. 4: SCREENWRITING

    Shelving, Carding and The Well

    Crowdsourcing Your Writing

    Writing like a Production Manager

    Screenwriting for DEADBRAINS

    Interview: Writer/Director Craig Brewer

     

    Ch. 5: THE CONTEXT OF CROWDFUNDING

    Crowdfunding is Networking

    The Two Stories of Every Film

    Crowdfunding Holistically

    Conflicting Emotions

     

    Ch. 6: CROWDFUNDAMENTALS

    Prepping Your Campaign

    Leadup to Launch

    Pushing the Button

    What Happens Afterwards?

    Crowdfunding DEADBRAINS

    Interview: Crowdfunding Consultant Bri Castellini

     

    Ch. 7: PRE-PRODUCTION

    The Power of the Open Call

    Thinking in Symbiotic Relationships

    What You Can Offer Other than Money

    Getting The Community Involved

    Getting Your Government Involved

    Know Your Tax Credits!

    Planning Far Ahead

    Pre-Production for DEADBRAINS

    Interview: Actors/writers/directors of DROUGHT Hannah Black and Megan Peterson

     

    Ch. 8: PRODUCTION AND POST-PRODUCTION

    The BLRTS Process

    The Story of Your Shoot

    Transparency in Post

    The Incredible Opportunities of Focus Groups

    Creating Film-Adjacent Content

    Production and Post for DEADBRAINS

    Interview: Director/Cinematographer Noam Kroll

     

    Ch. 9: MARKETING

    Re-Engaging the Engaged

    Expanding Your Digital Footprint

    Always Be Tracking

    Creating Relevant Content

    Marketing for DEADBRAINS

    Interview: FilmSnobbery CEO Nic LaRue

     

    Ch. 10: DISTRIBUTION

    The Dried Up Waterfall

    Golden Elevators and Free-Range Films

    Tay Leads The Way

    Digital Distribution

    Hire Your Crowd!

    Distribution for DEADBRAINS

    Interview: Director and Slamdance co-founder Dan Mirvish

     

    Ch. 11: YOU’RE DONE. NOW WHAT?

    The Loop of Kindness

    Building Your Ecosystem

    Bridging the Indie Gap

    You Can Build Anywhere

    Biography

    Marty Lang is Director of the MFA in Film, Television and Digital Media at the University of Georgia. He has written and directed two feature films, and his producing credits include Chompy & The Girls, featuring Udo Kier, Being Michael Madsen, starring Michael Madsen and Virginia Madsen, and the 2020 Sundance world premiere Web series The Ride. He holds MFA degrees in Film Production from Florida State University and Screenwriting from California State University, Northridge.

    “This truly is film school, a masterclass in finance and a PhD in business all in one fantastic book!!! In clear and simple terms Marty explains how we, as indie film producers, can take charge, distribute our own films and make a profit. It will take an entrepreneurial mindset he says, and he makes it all sound so easy…. Get our audience involved at the script stage, build our data base along the way… get smart about crowdsourcing and crowdfunding at every stage… get our community involved and our local government onboard. Make filmmaking a win/win for everyone. Marty is a genius and this book is a goldmine…. an indispensable tool and blueprint for success!”

    Suzanne Lyons, producer/author