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The Shakespearean International Yearbook: Disability Performance and Global Shakespeare book cover

1st Edition

The Shakespearean International Yearbook Disability Performance and Global Shakespeare

Edited By Alexa Alice Joubin, Natalia Khomenko, Katherine Schaap Williams Copyright 2024
218 Pages
by Routledge

218 Pages
by Routledge

218 Pages
by Routledge
Also available as eBook on:
The Shakespearean International Yearbook surveys the present state of Shakespeare studies in global contexts, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time. Contributions are solicited from scholars across the field and from both hemispheres of the globe who represent diverse career stages and linguistic traditions. Both new and... Read more

Part I: Disability Performance and Global Shakespeare

1. Introduction: Disability Performance and Global Shakespeare
Katherine Schaap Williams

2. Concealing, Simulating, or Re-Defining Disability?: Richard III and Performing (with) Disability in Arabian Gulf Theatre
Katherine Hennessey

3. “A body like this can’t play Richard”: Embodied Representation and Welshness in richard iii redux [or] Sara Beer is/not Richard III
S.R. May

4. “Baroque Staring”: Caliban in Polish Theater
Anna Kowalcze-Pawlik

5. Making Meaning of the (Ab)normal Body: Reading Caesar’s Body as a Palimpsest in Julius Caesar and Sri Lankan Performance
Isuru Ayeshmantha Rathnayake

6. “What’s with Him?”: Reading Hamlet and Haider through the Lens of Disability-Craft
Deyasini Dasgupta

7. Intellectual Disability, Madness, and Gender in Karim-Masihi’s Tardid/Doubt: A Rewriting of Shakespeare’s Hamlet
Shekufeh Owlia

8. “Cast[e]ing Shakespeare”: Intersections of Disability and Race in Vishal Bhardwaj’s Maqbool
Zainab Cheema

9. Against White Cripistemology: Seeing Race and Global Disability in King Lear
Penelope Geng

Part II: The Year in Review

10. Access and Global Shakespeares: The State of the Field
Roderick Hugh McKeown

Biography

Alexa Alice Joubin, Professor of English, George Washington University, and Research Affiliate, Massachusetts Institute of Technology, USA.

Natalia Khomenko teaches English Literature at York University (Toronto). Her ongoing research project focuses on the reception, interpretation, and adaptation of Shakespearean drama in early Soviet Russia.

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