170 pages | 4 B/W Illus.
Global seawater levels are rising and the low-lying coasts of the North Sea basin are amongst the most vulnerable in Europe. In our current moment of environmental crisis, the North Sea coasts are literary arenas in which the challenges and concerns of the Anthropocene are being played out.
This book shows how the fragile landscapes around the North Sea have served as bellwethers for environmental concern both now and in the recent past. It looks at literary sources drawn from the countries around the North Sea (Denmark, Germany, the Netherlands, and England) from the mid-nineteenth century onwards, taking them out of their established national and cultural contexts and reframing them in the light of human concern with fast-changing and hazardous environments. The six chapters serve as literary case studies that highlight memories of flood disaster and recovery, attempts to engineer the landscape into submission, perceptions of the landscape as both local and global, and the imagination of the future of our planet. This approach, which combines environmental history and ecocriticism, shows the importance of cultural artefacts in understandings of, and responses to, environmental change, and advocates for the importance of literary studies in the environmental humanities.
This book will be of great interest to students and scholars of the Environmental Humanities, including Eco-criticism and Environmental History, as well as anyone studying literature from the Germanic philologies.
"In evocative and moving prose, The Shifting Sands of the North Sea Lowlands takes us down rivers and along coasts, through mudflats, silt, and fenlands, to explore the remarkable littoral landscapes and literary imaginations of the North Sea Lowlands. In Ritson’s reading, these ever changing places and the diverse texts they have animated and inspired offer up an incredible richness of possibilities both for understanding our pasts and for crafting shared futures in this Anthropocene epoch." — Thom van Dooren, Department of Gender and Cultural Studies and Sydney Environment Institute, University of Sydney, Australia
"Where does the Anthropocene tell its stories? And who are the storytellers? With the skill of a novelist and cutting-edge trans-disciplinary methodology, Katie Ritson finds the answers to these questions in the eloquent landscapes of the North Sea Lowlands, where sands and waters, nature and history, human creativity and ecological predicaments merge into one another. Vis-à-vis with the combined imagination of elements and literature, The Shifting Sands of the North Sea Lowlands is one of the best examples of how the environmental humanities can contribute to shaping the generous imaginaries we need in a time of shifting horizons." — Serenella Iovino, co-editor of Environmental Humanities: Voices from the Anthropocene and Italy and the Environmental Humanities: Landscapes, Natures, Ecology
Introduction. On the Edge of the North Sea 1. Against the Tide: Living with the North Sea 2. Conquest and Control: Engineering the Anthropocene on the North Sea 3. A Sense of Place in the Anthropocene: W.G. Sebald and East Anglia 4. Landscape as Palimpsest: East Anglia in British "New Nature Writing" 5. Causeways to the Past: Anthropocene and Memory in Contemporary Novels 6. Under the North Sea: Petrospectral Futures Conclusion. The Literary Imagination in the Environmental Humanities
The Routledge Environmental Humanities series is an original and inspiring venture recognising that today’s world agricultural and water crises, ocean pollution and resource depletion, global warming from greenhouse gases, urban sprawl, overpopulation, food insecurity and environmental justice are all crises of culture.
The reality of understanding and finding adaptive solutions to our present and future environmental challenges has shifted the epicenter of environmental studies away from an exclusively scientific and technological framework to one that depends on the human-focused disciplines and ideas of the humanities and allied social sciences.
We thus welcome book proposals from all humanities and social sciences disciplines for an inclusive and interdisciplinary series. We favour manuscripts aimed at an international readership and written in a lively and accessible style. The readership comprises scholars and students from the humanities and social sciences and thoughtful readers concerned about the human dimensions of environmental change.
Please contact the Editor, Rebecca Brennan (Rebecca.Brennan@tandf.co.uk) to submit proposals
Praise for A Cultural History of Climate Change (2016):
A Cultural History of Climate Change shows that the humanities are not simply a late-arriving appendage to Earth System science, to help in the work of translation. These essays offer distinctive insights into how and why humans reason and imagine their ‘weather-worlds’ (Ingold, 2010). We learn about the interpenetration of climate and culture and are prompted to think creatively about different ways in which the idea of climate change can be conceptualised and acted upon beyond merely ‘saving the planet’.
Professor Mike Hulme, King's College London, in Green Letters
Professor Libby Robin, Fenner School of Environment and Society, Australian National University, Canberra; Guest Professor of Environmental History, Division of History of Science, Technology and Environment, Royal Institute of Technology, Stockholm Sweden.
Dr Paul Warde, Faculty of History, University of Cambridge, UK.
Christina Alt, St Andrews University, UK, Alison Bashford, University of New South Wales, Australia, Peter Coates, University of Bristol, UK, Thom van Dooren, University of New South Wales, Australia, Georgina Endfield, Liverpool UK, Jodi Frawley, University of Western Australia, Andrea Gaynor, The University of Western Australia, Australia, Christina Gerhardt, University of Hawai'i at Mānoa, USA,□ Tom Lynch, University of Nebraska, Lincoln, USA, Iain McCalman, University of Sydney, Australia, Jennifer Newell, Australian Museum, Sydney, Australia, Simon Pooley, Imperial College London, UK, Sandra Swart, Stellenbosch University, South Africa, Ann Waltner, University of Minnesota, US, Jessica Weir, University of Western Sydney, Australia
International Advisory Board
William Beinart,University of Oxford, UK, Jane Carruthers, University of South Africa, Pretoria, South Africa, Dipesh Chakrabarty, University of Chicago, USA, Paul Holm, Trinity College, Dublin, Republic of Ireland, Shen Hou, Renmin University of China, Beijing, Rob Nixon, Princeton University, USA, Pauline Phemister, Institute of Advanced Studies in the Humanities, University of Edinburgh, UK, Deborah Bird Rose, University of New South Wales, Australia, Sverker Sörlin, KTH Environmental Humanities Laboratory, Royal Institute of Technology, Stockholm, Sweden, Helmuth Trischler, Deutsches Museum, Munich and Co-Director, Rachel Carson Centre, LMU Munich University, Germany, Mary Evelyn Tucker, Yale University, USA, Kirsten Wehner, University of London, UK