1st Edition

The Somatechnics of Life and Death Towards a New Feminist Biopolitics

Edited By Elizabeth Stephens, Karin Sellberg Copyright 2021
132 Pages 2 B/W Illustrations
by Routledge

132 Pages 2 B/W Illustrations
by Routledge

132 Pages 2 B/W Illustrations
by Routledge

What is ‘life’ and how do we define its boundaries? Is life immeasurable or are there levels of ‘liveliness’? How should we relate to entities that are not technically alive at all? As the world becomes increasingly technologized, questions about what counts as ‘life’ and ‘living’ have become a key field of inquiry in contemporary philosophical and arts discourse. As Mel Chen acknowledges in... Read more

Introduction: The Somatechnics of Life and Death: Recent Trends in Gender Studies

Elizabeth Stephens and Karin Sellberg

1. (Micro)chimerism, Immunity and Temporality: Rethinking the Ecology of Life and Death

Margrit Shildrick

2. The Queer Temporality of CandidaHomo Biotechnocultures

Tarsh Bates

3. The Logic of Life: Thinking Suicide through Somatechnics

Saartje Tack

4. Disrupting Time: Somatechnics and the Opening of the Interval

Laura Roberts

5. Experimenting with ‘Life’ in Nineteenth-Century Physiology: Brown-Séquard's Method for Characterising Blood

Patrick M. Walsh

6. The ‘Turns’ of Feminist Time: Evolutionary Logic, Life and Renewal in ‘New Materialist’ Feminist Philosophy

Karin Sellberg

7. The Somatechnics of Breath: Trans* Life at this Moment in History: An Interview with Susan Stryker

Elizabeth Stephens and Karin Sellberg

Biography

Elizabeth Stephens is Australian Research Council Future Fellow in the Institute for Advanced Studies in the Humanities at the University of Queensland, Australia. She is the author of three books, most recently Normality: A Critical Genealogy (2017).

Karin Sellberg is Lecturer in Humanities in the School of Historical and Philosophical Inquiry at the University of Queensland, Australia. She has published extensively on feminist discourses of corporeality and time, and has edited two books: Gender & Time (2017) and Corporeality and Culture: Bodies in Movement (2015).