1st Edition
The Soundtrack Album Listening to Media
Introduction: Listening to Media
Paul N. Reinsch and Laurel Westrup
Part 1: Case Studies
1. The Soundtrack in Transition: The Many Objects of Paul Simon’s One-Trick Pony
Landon Palmer
2. It’s a Kind of Soundtrack: Queen, Highlander, and the "Unofficial Soundtrack Album"
Ross Melnick
3. Super Fly and the Sound of Seventies Blaxploitation Cinema
Matthew Tchepikova-Treon
4. Signifyin(g) on the Soundtrack Album? OutKast’s Idlewild Project
Laurel Westrup
Part 2: Brands
5. Learning from Sesame Street Soundtrack Albums
Kathryn A. Ostrofsky
6. Creazioni Artistiche Musicali and Italian Cinema after World War II
Roberto Calabretto
7. King of the Whole Wide World: Elvis, RCA Camden, and the Non-Filmic "Budget"
Soundtrack Album
Justin Morris
8. Sing Along with Hitch: Musically Marketing the Master of Suspense
Richard R. Ness
Part 3: Formats
9. Fixing the Brand: The Sonic Branding of Adult Swim
David Gurney
10. Video Game Soundtrack Albums and the Digital Revolution
Robert Cavanagh
11. Tracking Hypernostalgia: Soundtrack Albums and the Return of the Cassette in American
Film and Television
Kristen Galvin
Part 4: New Directions
12. Now—For Even Greater Enjoyment…The Home Movie Soundtrack Album
Liz Czach
13. A Brief Hearing for the Unified Soundtrack Album
Paul N. Reinsch
Biography
Paul N. Reinsch is Associate Professor of Practice–Cinema in the School of Theatre & Dance at Texas Tech University.
Laurel Westrup is a Continuing Lecturer with Writing Programs and the Honors Program at the University of California, Los Angeles.






