Today’s technologies and economic models won’t settle for a conventional approach to filmmaking. The Strategic Producer: On the Art and Craft of Making Your First Feature combines history, technology, aesthetics, data, decision-making strategies, and time-tested methods into a powerful new approach to producing. An ideal text for aspiring filmmakers, The Strategic Producer orients the reader’s mind-set towards self-empowerment by sharing essential and timeless techniques producers need to get the job done while also embracing the constantly evolving production landscape.
- Written in clear, succinct, and non-technical prose.
- Includes six sidebar in depth interviews with industry professionals providing additional perspectives.
- Clearly presented line drawings help readers quickly understand complex ideas like production timelines, story structure, and business models.
- Includes samples from key documents such as script pages, budgets, shooting schedules, and business plans for potential investors.
"Federico Arditti Muchnik mines 25 years of teaching popular courses in producing films as well as actually having produced a series of fine, sensitive films. The result is a book that strikes the perfect balance between tried-and-true techniques and the very latest methods used by cutting-edge directors. The Strategic Producer should be on every independent producer’s bookshelf."
—Michael Donaldson, co-author of Clearance & Copyright: Everything the Independent Filmmaker Needs to Know
"Making a movie is like playing three-dimensional chess with live ammunition. The Strategic Producer gives you a bulletproof vest of information, tactics, and cunning to come out alive and well at the other end. An invaluable ally in negotiating the invisible minefields of independent filmmaking, Muchnik takes you where other books don’t—from idea, to proof of concept and the crucial, often unasked question, ‘is this sellable?’, to incredibly useful details for every conceivable step of actually getting the beast tamed. Wisely, The Strategic Producer teaches that, above all, a producer must exude calm."
—William M. Akers, screenwriting professor at Belmont University and author of Your Screenplay Sucks!
PART 1 : BACK STORY
Chapter 1: History
Chapter 2: Story
2.1: The Artistic Impulse
2.2: Why Stories
2.3: Oral to Visual Storytelling
Chapter 3: Working the Material
3.1: Suspension of Disbelief
3.3: Suspense, surprise, and mystery
Chapter 4: Writing the Script
4.1: Elements and Structure of the Script
PART 2 : GETTING TO WORK
Chapter 5: Development
SIDEBAR: Interview with Piotr Reisch, Producer
Chapter 6: Money
6.1: The Producer - Investor Relationship
6.2: What do investors want?
6.3: The Business Entity
6.4: Investor Sources
6.5: Your Money
6.6: No Budget Filmmaking and the Compilation Film
Chapter 7: Preproduction
SIDEBAR: Interview with Brian Falk, Producer
7.1: The Casting Session
7.2: Location Scouting
7.3: Shooting On A Soundstage
7.4: Hiring People
SIDEBAR: Interview with Michael Bowes, Producer
Chapter 8: Production
8.1: Camera Setups & Block/Light/Shoot
8.2: Directing Actors
8.3: Working with the Crew
8.4: Meals & Breaks
8.5: Common Problems
8.6: End of Production
Chapter 9: Post-production
9.1: Workflow and Story Structure
SIDEBAR: Interview with Anne McCabe, A.C.E., Editor
9.2: Test Screenings and Finishing the Film
Chapter 10: The Marketplace(s). History, Deal Structures, Distribution, Exhibition, & Film Festivals
10.1: What Distributors Want
10.2: Deal Structures
SIDEBAR: Interview with Francois Yon, distributor
10.3: Film Festivals
SIDEBAR: Interview with Larry Jackson, producer’s rep.
10.4: The Larger Distribution Landscape
10.5: In Closing
APPENDIX: THE BUSINESS PLAN