1st Edition

The Subject of the Nation and his 'Others' in Hindi Cinema Gender, Religious, Caste, and Ethnic Identity as Difference

By MK Raghavendra Copyright 2026
186 Pages
by Routledge

186 Pages
by Routledge

This book analyzes the representations of the subjects of Hindi cinema as a way of gaining insights into the hegemony of the upper-caste Hindu male in narratives of nationhood. Given that Hindi cinema has narrativized the nation after 1947, the book examines how these subjects were chosen and argues that they were upper-caste, Hindu and predominantly male. The author's analysis shows... Read more

Introduction

Chapter 1: Film Form and Ideology

Chapter 2: The Trajectory of the Hero in Bollywood

Chapter 3: Representing Women

Chapter 4: The Portrayal of Muslims as Religious Minorities

Chapter 5: Caste Identity and Conflict 

Chapter 6: Ethnicities and Hindi Cinema

Chapter 7: Representing the Social ‘Other’

Chapter 8: Pakistan as the National ‘Other’

Afterword: Asymmetric Nationhood

Biography

MK Raghavendra is an independent scholar of culture, literature and politics, specializing in film, particularly its political aspects. He won the National Award for Best Film Critic in 1997 and received a Homi Bhabha Fellowship to research popular film narrative. Since then he has authored six volumes of academic film scholarship from international publishers including Routledge. Apart from these, he has authored three academic works on literature, culture and politics. He has published in national and international anthologies and journals on the above subjects, and his writing has been translated into French, Polish and Russian and published.