1st Edition
The Twentieth Century German Art Exhibition Answering Degenerate Art in 1930s London
Contents
Introduction
Chapter One: The Organisation of Twentieth Century German Art
Chapter Two: Campendonk’s ‘Jumping Beast’: Neutrality and Resistance in Swiss Museums
Chapter Three: Schmitt-Rottluff’s ‘Fishermen’s Houses’: Art and Status in Exile
Chapter Four: Liebermann’s ‘The Potato Gatherer’: German Modernism, German Dealers and the London Art Market
Chapter Five: Schwitters’ ‘The Golden Ear’: ‘Degenerate’ Artists as Lenders to London
Chapter Six: Macke’s ‘Men on a Bridge’: Loans from the Reich
Chapter Seven: Baumeister’s ‘Kneeling Group’: The British and Twentieth Century German Art
Chapter Eight: The Reception of Twentieth Century German Art in Britain and Germany
Conclusion
Appendix One: Index of Twentieth Century German Art Exhibits
Appendix Two: Index of Twentieth Century German Art Lenders
Bibliography
Biography
Lucy Wasensteiner is Lecturer in Art History at the University of Bonn, and Associate Lecturer at the Courtauld Institute of Art in London.
