1st Edition
The Vampire in Nineteenth-Century Literature A Feast of Blood
Introduction
Brooke Cameron and Lara Karpenko
1. "Black Female Vampires in Nineteenth-Century Writing and Folklore"
Giselle Liza Anatol, University of Kansas.
2. Sicker Ever After: The Invalid as Vampire in Fiction by Arabella Kenealy and Mary E. Wilkins Freeman
Brenda Mann Hammack, Fayetteville State University
3. "The Dropping of Blood from the Clouds": Imperial Vampirism in Richard Burton’s Vikram and the Vampire or Tales of Hindu Devilry
Ardele Thomas, City College of San Francisco
4. Curating the Vampire: Queer (Un)Natural Histories in Carmilla
Lin Young, Queen’s University
5. The Addict as Vampire
Rebecca McLean, Independent Scholar
6. "What a vampire!": Gender and the Modern Sexual Contract in Braddon’s "Good Lady Ducayne"
Brooke Cameron, Queen’s University
7. The Vampire’s Touch in "Olalla" and The Blood of the Vampire
Kimberly Cox, Chadron State College
8. "Keep[ing] Time at Arm’s-Length": Vampire and Veterans in Varney
Rebecca Nesvet, University of Wisconsin, Green Bay
9. "A Financial Vampire": The Aesthetics of Repetition in Eric Stenbock’s Studies of Death
Lara Karpenko, Carroll University
10. The Vampire as Byron: Polidori’s story adapted to the French and British Stage
Matthew Gibson, University of Macau
11. America’s First Vampire Novel and the Supernatural as Artifice
Gary D. Rhodes, University of Central Florida
12. Queerly (Re)Vamped: Women, Men and Neo-Victorian Dracula(s)
Sarah E. Maier, University of New Brunswick, Saint John
Biography
Brooke Cameron, PhD in English, University of Notre Dame, is Associate Professor of English at Queen’s University in Kingston, Ontario. She is the author of Critical Alliances: Economics and Feminism in English Women’s Writing, 1880–1914 (2020), as well as multiple peer-reviewed articles and book chapters on gender and economic themes in Victorian literature. She has published peer-reviewed articles on Dracula, and is currently coediting a special issue on “Vampires: Consuming Monsters and Monstrous Consumption” for Revenant: Critical and Creative Studies of the Supernatural.
Lara Karpenko, PhD in English, University of Notre Dame, is Associate Professor of English at Carroll University. She has published work in journals such as the Victorian Review and Nineteenth-Century Contexts and is the coeditor, along with Shalyn Claggett, of Strange Science: Investigating the Limits of Knowledge in the Victorian Age (2017). Her current work explores Victorian posthumanism and feminist aesthetics, and she is editing a special issue of The Victorian Review on the subject.
