1st Edition
Theatre and Human Rights The Politics of Dramatic Form
This book develops theoretical intersections between theatre and human rights and provides methodologies to investigate human rights questions from within the perspective of theatre as a complex set of disciplines.
While human rights research and programming often employ the arts as representations of human rights-related violations and abuses, this study focuses on dramatic form and structure, in addition to content, as uniquely positioned to interrogate important questions in human rights theory and practice. This project positions theatre as a method of examination in addition to the important purposes the arts serve to raise consciousness that accompany other, often considered more primary modes of analysis. A main feature of this approach includes emphasis on dialectical structures in drama and human rights and integration of applied theatre and critical ethnography with more traditional theatre. This integration will demonstrate how theatre and human rights operates beyond the arts as representation model, offering a primary means of analysis, activism, and political discourse.
This book will be of great interest to theatre and human rights practitioners and activists, scholars, and students.
Acknowledgments
Preface
Part I. Aesthetics, Foundations and Methods of Theatre and Human Rights
Chapter 1. Introduction: Theatre and Human Rights
Chapter 2. Aesthetics, Dramatic Structure, and Form in Political Drama
Chapter 3. Human Rights Theory, Institutions, and Practice: Collective Rights and the Right to Resist
Chapter 4. Applied Theatre, Devised Theatre Methods, and Systems of Analysis:
Resistance, Remedies for Dehumanization, and Conflict Resolution
Part II. Greek Drama, Palestine, and South Africa: Tragedy, Conflicting Rights, Resistance, and Justice
Chapter 5. Greek Drama: The Law of Necessity, Trauma, and the Tragic Dilemma
Chapter 6. Conflicting Rights and Memory in Performance: Palestinian/Israeli conflict
Chapter 7. South Africa, Apartheid, and the Aftermath
Chapter 8. Epilogue
Index
Biography
Gary M. English, a Distinguished Professor of Drama at the University of Connecticut and served as Head of the Department of Drama at the University of Connecticut and as Artistic Director for the Connecticut Repertory Theatre for 15 years.
