‘The limits of radicalism are those which end not in chaos but in the breaking of fresh ground.’
Howard E. Root
Previously unpublished––and only recently rediscovered by Dr Christopher R. Brewer in an uncatalogued box in the archives of Lambeth Palace Library––Canon Howard E. Root’s 1972 Bampton Lectures, ‘The Limits of Radicalism’, have to do with nothing less than ‘what theology is’, a topic no less relevant today than it was in 1972. Against the radical reductionism of his time, Root defended the integrity of theology and ‘theological truth’. Advocating a ‘backward-looking’ radicalism, he thought that tradition should display ‘recognisable continuity’, and yet at the same time––against reductionistic tendencies––that it might be enriched and enlarged via a wide variety of ‘additive imagery’ including, though not limited to, poetry and pop art, music and even television. We must ‘begin where we are’, said Root, for we cannot, in the manner of Leonard Hodgson, ‘think ourselves into the minds and feelings of men 2000 years ago.’
In this volume, which begins with a substantial, mostly biographical introduction, Dr Brewer argues that Root––a backward-looking radical who defended metaphysics and natural theology, and insisted that theologians look to the arts as theological resources––anticipates the work of David Brown and others concerned with tradition and imagination, relevance and truth. A fascinating glimpse into the recent history of British Christianity, Root’s lectures, as well as the related appendices, are essential reading for theologians interested in the dynamics of a developing tradition and the theme of openness, as well as those with a particular interest in 1960s Cambridge radicalism and the British reception of the Second Vatican Council.
Editor’s Introduction, Christopher R. Brewer; The Limits of Radicalism; 1 Radicalism and Theological Integrity; 2 Radicals and Radicalism; 3 Tradition and Traditions; 4 Theology and "The Given"; 5 Resources and Reconstructions; 6 Theological Responsibility; 7 The Supernatural; 8 Towards Theological Method; Appendices; Appendix 1: Christian Claims and Religious Comparisons, Wilde Lectureship Application, 1957; Appendix 2: A Lecture on Graham Greene’s A Burnt Out Case, c. 1961–66; Appendix 3: What is the Gospel?, 1963; Appendix 4: The Glory of Society, 1966; Appendix 5: The Question of Theology, 1967; Appendix 6: Hamilton and the Death of God, 1967; Appendix 7: Letters from the Oxford University Archives, 1970–75; Appendix 8: Images
‘This volume is a remarkable achievement on the part of its editor, Christopher R. Brewer. Not only has he unearthed various unpublished works of Howard E. Root, a now largely forgotten theologian of a previous generation, he has also assiduously edited and introduced them in a way that establishes their continued relevance for our own age. In focusing on legitimate change in theological expression and understanding, Root argued that the contrast commonly made between appeal to tradition and radicalism represents a profound error. On the contrary, radical thinking can sometimes be the best way of preserving tradition, not least if careful attention is given to how the imaginative resources of artists and others model how the past can be redeployed in fresh ways. Root and Brewer can thus be seen to constitute jointly a formidable challenge to contemporary theological assumptions.’ –David Brown, Wardlaw Professor Emeritus of Theology, Aesthetics and Culture, St Mary's College, University of St Andrews, UK
‘The Anglican theologian Howard E. Root was American by birth and early education but British by naturalisation, eventually becoming Professor of Theology at Southampton University and then Director of the Anglican Centre in Rome. He was a first-hand and sympathetic observer of two radical theological movements in the 1960s, the Honest to God debate and Vatican II, but published very little. Until now even his pellucid Bampton Lectures on theological radicalism remained unpublished and largely unreferenced. Brewer has done us a real service by completing this task and introducing Root’s work to a new generation. The theological links that Root sought to make with the arts (and especially with the poets W.H. Auden and T.S. Eliot) can now be read with pleasure and edification.’ – Robin Gill, Professor Emeritus of Applied Theology, University of Kent, UK
‘This volume recovers the remarkable contribution of Howard E. Root, an ecume