Unlike the other senses, touch ranges beyond a single sense organ, encompassing not only the skin but also the interior of the body. It mediates almost every aspect of interpersonal relations in antiquity, from the everyday to the erotic, just as it also provides a primary point of contact between the individual and the outside world. The essays in this volume explore the ways in which touch plays a defining role in science, art, philosophy, and medicine, and shapes our understanding of topics ranging from aesthetics and poetics to various religious and ritual practices. Whether we locate the sense of touch on the surface of the skin, within the body or – less tangibly still – within the emotions, the sensory impact of touching raises a broad range of interpretive and phenomenological questions.
This is the first volume of its kind to explore the sense of touch in antiquity, bringing a variety of disciplinary approaches to bear on the sense that is usually disregarded as the most base and obvious of the five. In these pages, by contrast, we find in touch a complex and fascinating indicator of the body’s relation to object, environment, and self.
"Purves' volume provides a powerful corrective to sight as the preeminent sense in Classical scholarship. As each essay demonstrates, touch blurs the boundaries between subjective and objective experience in providing what Purves calls a "feeling for the past." This volume is required reading for scholars interested in the relationship between perception, cognition, and affect in interpreting ancient texts and artifacts."
- Karen Bassi, University of California Santa Cruz, USA
"Touch and the Ancient Senses provides a useful introduction to this changing area of the field … this study is often fascinating and it contains many seeds for further discussion … an elegant overall structure, with Aristotle’s problem as a thread running from the first sentence of Alex Purves’ introduction to the last sentence of the final chapter. This is an appropriate frame for a topic that puzzled philosophers and physicians throughout antiquity."
- Kenneth Silverman, University of Florida, USA, Bryn Mawr Classical Review 2018
Introduction: What and Where is Touch?
1. Hands Know the Truth: Touch in Euryclea’s Recognition of Odysseus
2. Touching, Proximity, and the Aesthetics of Pain in Sophocles
3. Aristotle and the Priority of Touch
Rebecca Steiner Goldner
4. The Duality of Touch
5. Getting to Grips with Classical Art: Rethinking the Haptics of Graeco-Roman Visual Culture
Verity Platt and Michael Squire
6. In the Body of the Beholder: Herder’s Aesthetics and Classical Sculpture
7. The Contaminating Touch in the Roman World
8. The Touch of Poetry in the Carmina Priapea
9. In Touch, In Love: Apuleius on the Aesthetic Impasse of a Platonic Psyche
10. Noli me tangere: the Theology of Touch
11. Losing Touch: Impaired Sensation in Greek Medical Writings
Like us, ancient Greeks and Romans came to know and understand their world through their senses. Yet it has long been recognized that the world the ancients perceived, and the senses through which they channelled this information could operate differently from the patterns and processes of perception in the modern world. This series explores the relationship between perception, knowledge and understanding in the literature, philosophy, history, language and culture of ancient Greece and Rome.