1st Edition

Trance and Transfiguration in Rock Art and Literature

By Richard Alan Northover Copyright 2026
120 Pages 7 Color & 3 B/W Illustrations
by Routledge

120 Pages 7 Color & 3 B/W Illustrations
by Routledge

The book is a largely unprecedented inter-disciplinary collaboration between archaeology, anthropology, and literary studies, although it touches on philosophy and religious studies, too. It explores the creative ways that altered states of consciousness play in culture and the arts, whether these states are induced though rituals like the trance dance or meditation, or through the consumption of... Read more

Contributors

Foreword

David Whitley

Introduction: Between Visionary and Mystical Experiences

Richard Alan Northover

Trance and Transfiguration in Rock Art and Literature

Richard Alan Northover

A World without Selves: A Reply to Richard Alan Northover’s Lecture

Wayne Stables

John Taylor (1620) and the Shakespeare-Hemp-Cannabis Hypothesis: Was the “Noted Weed” a Source of Inspiration for Creativity (“Invention”)?

Francis Thackeray

Sceptical Reflections on Hallucinogens and Other Worlds

Dan Wylie

Conclusion: Trance, Healing and Transgression

Richard Alan Northover

Additional Material: Five Blogs and a Critical Reading

Critical Diaries

Dan Wylie

Blog 1: No 116 – Where’s the Zol in Our Literature?

Ethicalanimal

Richard Alan Northover

Blog 2: Newgrange, Ireland: Neolithic Spirituality

Blog 3: Otherworldly Termites

Blog 4: Embodied Metaphors in Shamanic Art

Blog 5: The Axis Mundi, Shamanism and Trance States

Critical Reading

Richard Alan Northover

Altered States of Consciousness in Kim Stanley Robinson’s Shaman (2013)

Index

Biography

Richard Alan Northover is a Professor of general literary theory and critical theory in the Department of Afrikaans and Theory of Literature at the University of South Africa. His PhD, obtained at the University of Pretoria in 2010, concerns the work of J.M. Coetzee in relation to animal ethics. In addition to articles on the work of JM Coetzee, he has published on Margaret Atwood’s MaddAddam Trilogy and southern African rock art, both prehistoric and contemporary, placing his work in the fields of animal studies and ecocriticism. His inaugural lecture, delivered in 2023, was the point of departure of this book.