228 Pages
2 B/W Illustrations
by
Routledge
228 Pages
2 B/W Illustrations
by
Routledge
228 Pages
2 B/W Illustrations
by
Routledge
Also available as eBook on:
Transcending Postmodernism: Performatism 2.0 is an ambitious attempt to expand and deepen the theory of performatism. Its main thesis is that, beginning in the mid-1990s, the strategies and norms of postmodernism have been displaced by ones that force readers or viewers to experience effects of aesthetically mediated transcendence. These effects include specific temporal strategies... Read more
Contents
Foreword
Introduction: Theories of Post-Postmodernism
Chapter One: The Prison-House of Posthistoricism
Chapter Two: A Time for Transcendence
Chapter Three: Performatism and the Ethics of Perpetration
Chapter Four: From Fool to Genius: Separated Subjectivity in Performatism
Chapter Five: Aesthetics, Sexuality and Transcendence
Chapter Six: Performatism and Global Narratives
Chapter Seven: The End of Performatism?
Bibliography
Index
Biography
Raoul Eshelman is a Slavist who received his M.A. and Ph.D. from the University of Constance and who worked primarily at the Ludwig Maximilian University in Munich until his retirement in 2022.
