Transnational Perspectives on Feminism and Art, 1960-1985
- Available for pre-order. Item will ship after April 27, 2021
Transnational Perspecives on Feminism and Art, 1960-1985 is a collection of essential essays that bring transnational feminist praxis into conversations with histories of feminist art in the 1960s, 1970s, and early 1980s.
The artistic practices and processes examined within these pages all center on gender and sexual politics as they variously intersect with race, class, sovereignty, Indigeneity, citizenship, and migration at particular historical moments and within specific geopolitical contexts. The book’s central premise is that reconsidering this period from transnational feminist perspectives will enable new thinking about the critical commonalities and differences across heterogenous and geographically dispersed practices that have contributed to the complex and multifaceted relationship between feminism and art today.
The book will be of interest to scholars working in art history, cultural studies, visual culture, material culture, and gender studies.
Table of Contents
Introduction. Locating and Dislocating Feminisms
Jen Kennedy, Trista E. Mallory, and Angelique Szymanek
Part One: Constructing
- Re-Viewing a 1960’s Mi’kmaq Ribbon Skirt: Reclamation, Resilience, Resistance
- Winding Up to Be Unfurled: Art History as Casa Espiral
- Insubordinate Bodies: Staging Protest and Torture in Regina Vater’s 1973 Nós Performance
- Nil Yalter’s Topak Ev: The Nomadic Tent Between "Worlds"
Part Two: Mediating
- Creation Stories: Australian arts feminism
- Tseng Kwong Chi – 1979 and the Liminal Trans of Racial and Sexual Politics
- Shades of Discrimination: The Emergence of Feminism in Apartheid South Africa
- Against the Body: Interpreting Ana Mendieta
Jacqueline Millner and Catorina Moore
Jane Chin Davidson
Part Three: Performing
- "Hidden" No More: Jung Gang Ja, a Pioneer of Korean Experimental Art of the 1960s
- ‘Really African, and Really Kabuki too’: Afro Asian Possibility in the Work of Senga Nengudi
- Kirsten Justesen—The Body as a Feminist and Artistic Tool
Jen Kennedy is an Assistant Professor in the Department of Art History and Art Conservation at Queen's University.
Trista E. Mallory is a stay-at-home mother and Independent Scholar.
Angelique Szymanek is an Assistant Professor in the Department of Art and Architecture at Hobart and William Smith Colleges.