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Twenty-First Century Musicals: From Stage to Screen book cover

1st Edition

Twenty-First Century Musicals From Stage to Screen

Edited By George Rodosthenous Copyright 2018
252 Pages
by Routledge

252 Pages
by Routledge

252 Pages
by Routledge
Also available as eBook on:
Twenty-First Century Musicals stakes a place for the musical in today’s cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in depth. Themes of national identity; race, class and... Read more

FOREWORD

Barry Keith Grant

　

Introduction

George Rodosthenous

　

1.　Drag, rock, authenticity and in-betweenness: Hedwig and the Angry Inch (2001) DOMINIC SYMONDS (University of Lincoln)

　

2. 　All That Jazz: the difficult journey of　Chicago　(2002)　from stage to screen　ROBERT GORDON (Goldsmiths)

3.　Ready for His Close-Up:　 From Horror to Romance in　The Phantom of the Opera (2004) JESSICA STERNFELD (Chapman)

4.　"Bohemia is Dead":　Rent　(2005)　celebrating life in the face of death MARK SHIELDS (RCSSD)

　

5.　Where did we go right (and wrong)? Success and failure in adaptations of　The Producers (2005) from and to the screen JULIAN WOOLFORD (GSA)

　

6.　"Big, as in Large, as in Huge": Dreamgirls and Difference in the Performance of Gender, Blackness, and Popular Music History TODD DECKER (Washington in St Louis)

7. At the Intersection of Music, Sexuality and Race: Hairspray's Generic and Aesthetic Variances LINDA MOKDAD (University of Michigan)

　　

8.　"With a Bit of Rock Music, Everything is Fine":　MAMMA MIA!　(2008) and the Camp Sensibility on screen　HELEN LEWIS (Boston Conservatory)

9.　8½ to Nine to Nine: Evolutions of a Cinema Classic ARTHUR PRITCHARD (University of Leeds)

10 ‘You wanna hear the real story?’: (Mis)remembering masculinity in Clint Eastwood’s adaptation of Jersey Boys (2014) SARAH WHITFIELD (University of　Wolverhampton)

11. The Ethical Exculpation of Moral Turpitude: Representations of Violence and Death in Sweeney Todd and Into The Woods TIM STEPHENSON (University of Leeds)

12.　The Last Five Years　(2014):　Medium, Mode and the Making of Cathy.　SARAH BROWNE (University of Wolverhampton)

　

13. The Trouble with "Little Girls":　Annie on the big (and small) screen OLAF JUBIN (Regent’s)

14.　 London Road: the ‘irruption of the real’ and haunting utopias in the verbatim musical.　DEMETRIS ZAVROS (University of Wolverhampton)

Biography

George Rodosthenous is Associate Professor in Theatre Directing at the School of Performance and Cultural Industries, University of Leeds.

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