1st Edition
Unconventual Women in the Habsburg Low Countries, 1585–1794 Visual Culture at the Court Beguinages
Introduction
1. Beguine Visual Culture in Context
2. The Architecture of the Court Beguinages
3. A 'Monastic Makeover': Art and the Consolidation of Beguine Identity in the Counter Reformation
4. Models of Piety: Portrayals of Beguines and Their Audiences
5. Inside Beguine Homes: Material Culture, Devotion, and Family Ties
6. Inside Beguine Churches: Patterns of Patronage and Devotion
7. Framing the Mass: The Altars and Their Altarpieces
8. Beguine Church Furniture for Sacrament, Sermon, and Song
Conclusions
Biography
Sarah Joan Moran is an independent scholar focused on early modern women and their relationships to visual culture. She received her PhD in the History of Art and Architecture from Brown University in 2010, and her work has been funded by the Fulbright Foundation, Belgian American Educational Foundation, the Swiss National Science Foundation, the European Research Council, and the Netherlands Institute for Advanced Study. From 2009 to 2103 she held a junior faculty post at the University of Bern, and at Utrecht University she was Assistant Professor of Art before 1850 in 2017–2018, and Associate Professor of Art before 1850 from 2018 until 2022. Dr. Moran currently works as a developmental editor and freelance exhibition curator.






