Video Art Historicized: Traditions and Negotiations, 1st Edition (Hardback) book cover

Video Art Historicized

Traditions and Negotiations, 1st Edition

By Malin Hedlin Hayden

Routledge

236 pages

Look Inside
Purchasing Options:$ = USD
Paperback: 9781138563209
pub: 2017-10-12
$51.95
x
Hardback: 9781472449757
pub: 2015-06-28
$130.00
x
eBook (VitalSource) : 9781315548210
pub: 2016-03-03
from $25.98


FREE Standard Shipping!

Description

Video art emerged as an art form that from the 1960s and onwards challenged the concept of art - hence, art historical practices. From the perspective of artists, critics, and scholars engaged with this new medium, art was seen as too limiting a notion. Important issues were to re-think art as a means for critical investigations and a demand for visual reconsiderations. Likewise, art history was argued to be in crisis and in need of adapting its theories and methods in order to produce interpretations and thereby establish historical sense for moving images as fine art. Yet, as this book argues, video art history has evolved into a discourse clinging to traditional concepts, ideologies, and narrative structures - manifested in an increasing body of texts. Video Art Historicized provides a novel, insightful and also challenging re-interpretation of this field by examining the discourse and its own premises. It takes a firm conceptual approach to the material, examining the conceptual, theoretical, and methodological implications that are simultaneously contested by both artists and authors, yet intertwined in both the legitimizing and the historicizing processes of video as art. By engaging art history’s most debated concepts (canon, art, and history) this study provides an in-depth investigation of the mechanisms of the historiography of video art. Scrutinizing various narratives on video art, the book emphasizes the profound and widespread hesitations towards, but also the efforts to negotiate, traditional concepts and practices. By focusing on the politics of this discourse, theoretical issues of gender, nationality, and particular themes in video art, Malin Hedlin Hayden contests the presumptions that inform video art and its history.

Reviews

'Hayden's well-researched and insightful study explores why video art has a complicated and uneven relation with art history. For the first time, the politics of avoidances and anxieties are investigated in both fields that have fuelled misconception in the debates from the 1960s to the present. The author not only reasons video's historical distinctiveness, but argues for a contemporary perspective of mixing and crossing boundaries between disciplines.' Yvonne Spielmann, Lasalle College of the Arts, Singapore, author of Video: The Reflexive Medium

About the Author

Malin Hedlin Hayden is Associate Professor in Art History, the Department of Culture and Aesthetics, Stockholm University.

About the Series

Studies in Art Historiography

Studies in Art Historiography
The aim of this series is to support and promote the study of the history and practice of art historical writing focussing on its institutional and conceptual foundations, from the past to the present day in all areas and all periods. Besides addressing the major innovators of the past it also encourages re-thinking ways in which the subject may be written in the future. It ignores the disciplinary boundaries imposed by the Anglophone expression 'art history' and allows and encourages the full range of enquiry that encompasses the visual arts in its broadest sense as well as topics falling within archaeology, anthropology, ethnography and other specialist disciplines and approaches. It welcomes contributions from young and established scholars and is aimed at building an expanded audience for what has hitherto been a much specialised topic of investigation. It complements the work of the Journal of Art Historiography.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
ART015110
ART / History / Contemporary (1945-)
ART046000
ART / Digital