We live in a visual age. Images and visual artefacts shape international events and our understanding of them. Photographs, film and television influence how we view and approach phenomena as diverse as war, diplomacy, financial crises and election campaigns. Other visual fields, from art and cartoons to maps, monuments and videogames, frame how politics is perceived and enacted. Drones, satellites and surveillance cameras watch us around the clock and deliver images that are then put to political use. Add to this that new technologies now allow for a rapid distribution of still and moving images around the world. Digital media platforms, such as Twitter, YouTube, Facebook and Instagram, play an important role across the political spectrum, from terrorist recruitment drives to social justice campaigns.
This book offers the first comprehensive engagement with visual global politics. Written by leading experts in numerous scholarly disciplines and presented in accessible and engaging language, Visual Global Politics is a one-stop source for students, scholars and practitioners interested in understanding the crucial and persistent role of images in today’s world.
"This book is a landmark step in addressing the role of visuality in global politics. Rich, diverse, and innovative, it represents a vital contribution to understanding some of the most pressing analytic and political questions of our time."
- Michael C Williams, University of Ottawa, Canada
"This is a wonderful anthology. Typically these alphabetical collections are best for reference, but I was surprised to find myself reading through from one to the next. Many of the entries speak to each another, and together they paint the best available picture of images as "political forces." Visual culture studies has often made the promise of being political in a way that art history hasn't, but this is the only book that puts the politics first. It will be a useful reference for the current political moment, in which each of us has the responsibility to witness, interpret, and also produce political images."
- James Elkins, School of the Art Institute of Chicago, USA
"This sparkling collection of essays brings the visual aspects of global politics to the fore, challenging the traditional scholarly focus on texts. It illuminates the power of images in shaping the way we interpret and respond to global phenomena. The book will quickly become an indispensable resource for all scholars of international politics and law."
- Hilary Charlesworth, Melbourne Law School, Australia
"We live in an age of the visual turn in politics, one in which images work upon several registers of life. But the professoriate still mostly responds to politics through the hegemony of the textual. Visual Global Politics takes several huge steps to redress this imbalance. Consisting of multiple image-rich essays, it engages bodies, borders, torture, climate, democracy, security and several other domains by addressing their image/word intertexts. A timely and indispensable volume."
- William E. Connolly, Johns Hopkins University, USA
Mapping Visual Global Politics – Roland Bleiker
The Series provides a forum for innovative and interdisciplinary work that engages with alternative critical, post-structural, feminist, postcolonial, psychoanalytic and cultural approaches to international relations and global politics. In our first 5 years we have published 60 volumes.
We aim to advance understanding of the key areas in which scholars working within broad critical post-structural traditions have chosen to make their interventions, and to present innovative analyses of important topics. Titles in the series engage with critical thinkers in philosophy, sociology, politics and other disciplines and provide situated historical, empirical and textual studies in international politics.
We are very happy to discuss your ideas at any stage of the project: just contact us for advice or proposal guidelines. Proposals should be submitted directly to the Series Editors:
‘As Michel Foucault has famously stated, "knowledge is not made for understanding; it is made for cutting" In this spirit The Edkins - Vaughan-Williams Interventions series solicits cutting edge, critical works that challenge mainstream understandings in international relations. It is the best place to contribute post disciplinary works that think rather than merely recognize and affirm the world recycled in IR's traditional geopolitical imaginary.’
Michael J. Shapiro, University of Hawai'i at Manoa, USA