Acknowledgements; Introduction; 1. Defining terms; 2. Deep mapping as memory work: theoretical and methodological implications of heritage mapping; 3. Imaginative engagement: the sleeping giant and the cursed hill; 4. A town, divided: mapping the tense imaginaries of the 1943–1945 Italian civil war; 5. Unlearning the body: liminal spaces, abject corpses and the historical imagination; 6. Stories from Beamish Museum’s ‘1950s Town’; 7. Experiencing the mapping method in the field: a dialogic interlude; 8. Moving forward: not a conclusion chapter; List of Figures; References; Appendix; Index
Biography
Sarah De Nardi is a lecturer in heritage and tourism at Western Sydney University and the co-editor of the Journal of Community Archaeology and Heritage. Her first monograph, The Poetics of Conflict Experience: Materiality and Embodiment in Second World War Italy (2016), revived landscape perception in Second World War Italy through hands-on oral histories with veterans.
