1st Edition

Walter Benjamin and the Aesthetics of Film

By Daniel Mourenza Copyright 2020
258 Pages
by Routledge

258 Pages
by Routledge

258 Pages
by Routledge

Walter Benjamin is today regarded as one of the leading thinkers of the twentieth century. Often captured in pensive pose, his image is now that of a serious intellectual. But Benjamin was also a fan of the comedies of Adolphe Menjou, Mickey Mouse, and Charlie Chaplin. As an antidote to repressive civilization, he developed, through these figures, a theory of laughter. Walter Benjamin and the... Read more
Introduction, Chapter 1. Anthropological Materialism and the Aesthetics of Film, Chapter 2. Soviet Film: The Giant Laboratory of Technological Innervation, Chapter 3. Film and the Aesthetics of German Fascism, Chapter 4. Charlie Chaplin: The Return of the Allegorical Mode in Modernity, Chapter 5. Mickey Mouse: Utopian and Barbarian, Conclusion: Benjamin's Belated Aktualität, Bibliography, Index

Biography

Daniel Mourenza is an Assistant Professor at the School of Languages, Literatures and Cultural Studies at Trinity College Dublin.