What Does ‘Art’ Mean Now? : The Personal After the Age of Romanticism and Modernism book cover
1st Edition

What Does ‘Art’ Mean Now?
The Personal After the Age of Romanticism and Modernism




  • Available for pre-order on June 1, 2023. Item will ship after June 22, 2023
ISBN 9781032446837
June 22, 2023 Forthcoming by Routledge
264 Pages

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Book Description

What does 'Art' Mean Now? asks, and answers, fundamental questions about the nature of aesthetic experience and role of the arts in contemporary society. The Modern Age, Romanticism and beyond. viewed art as something transcending and separated from life, and usually something encountered in museums or classrooms. Nowadays, however, art tends to be defined not by a commonly agreed-upon standard of ‘quality’ or by its forms, such as painting and sculpture, but instead by political and ideological criteria. So how do we connect with the works in museums whose point was precisely they stood apart from such considerations? Can we and should we be educated to "appreciate" art—and what does it do for us anyway? What are we to make of the so-different newer works—installations, performances, excerpts from the world—held to be art that increasingly make it into museums? Adopting a subjectivist approach, this book argues that in the absence of a universal judgement or standard of taste, the experience of art is one of freedom. The arts and literature give us the means to conceptualize our lives, showing us ourselves as we are and as we might wish—or not wish—to be, as well as where we have been and where we are going. It will appeal to scholars of sociology, philosophy, museum studies, and art history, and to anyone interested in, or puzzled by, museums or college courses and their presentation of art today.

 

Table of Contents

I

THEORY

One

Esthetics Beyond Esthetics:

The Demise of the Separated Artwork

Two

A Definition of Art for Our Times:

Personal/Impersonal, Impersonal/Personal

Three

Correcting Modernism:

Putting the Subjective Back In

Four

Nailing the Problem a Century Ago:

Dewey’s Art as Experience

Five

Our Situation Now:

Blurring the Line Between Art and the World

II

MUSEUMS

Six

Audience and Survival:

Two Aspects That Define Art

Seven

Principles of Ordering the Separated Artwork:

Museums and Collections

Eight

Unconventional Ordering:

Ripley’s "Believe it—OR NOT!"

Nine

What Counts as an Artwork:

The Small Hard Things of the Bactrian Hoard

Ten

Do Museums Come to Life at Night?

The Revenge of the Separated Work

III

LITERATURE

Eleven

What’s Literature Good For?

Mirroring/Escape and Explanation/Vaccination

Twelve

It Isn’t Fake Anything:

Literature and the World

Thirteen

Problems with Literature

1. Who’s the Work For?

2.What Does the Audience Know?

3. Inside/Outside: Villette

4. When We Just Don’t Like a Work

 

Works Cited

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Author(s)

Biography

Bruce Fleming is the author of over twenty books, and of a novel, essays, short stories, dance criticism and poetry. Some of these books include four previous works for Routledge, such as The End of the Age of Modernism in Arts and Academia and Masculinity from the Inside: Gender Theory’s Missing Piece. He has taught at the University of Freiburg, Germany, the National University of Rwanda, and the University of Hyderabad, India. Since 1987, he has been an English professor at the US Naval Academy, Annapolis.