1st Edition
What Drawing and Painting Really Mean The Phenomenology of Image and Gesture
List of fi gures
List of plates
Acknowledgments
Introduction: Drawing and Painting in the Age of Networks
1. The Cognitive Function of the Image
2. Origins of Drawing and Painting: the Hominid Creation of Aesthetic Space
3. The Phenomenology of Drawing and Painting
4. A Bigger Picture: Drawing, Painting, and the Structure of Aesthetic Space
5. Art’s Eternalization of the Moment
6. The Aesthetic Space of Abstract Art
7. Conditions of Creativity: Drawing and Painting with Computers
Conclusion: Drawing and Painting at the Limits of Art
Bibliography
Index
Biography
Paul Crowther is Professor Emeritus of Philosophy at the National University of Ireland, Galway. He was formerly Reader in Aesthetics and the History of Art at Oxford University. Of his many monographs, the most recent is How Pictures Complete Us: The Beautiful, the Sublime, and the Divine.
"...The book makes a welcome contribution to the philosophy of the visual arts, offering a much-needed theoretical alternative to continental philosophy for practice-based doctoral theses. ...Overall, the book is a timely contribution which responds to growing interest within the field."
- Journal of Visual Art Practice
