Introduction Part One: Contexts 1. Winsome Pinnock: Early Life and Career Overview 2. Black And British: History, Identity, Intersectionality, Aesthetics and Presence Part Two: Themes 3. (Un)Belonging 4. Family Ties 5. Writing Wrongs: Exploitation and Enslavement 6. Writing for Radio and Short Plays Part Three: Plays in Production 7. Leave Taking in Production 8. One Under in Production 9. Rockets and Blue Lights in Production. Works Cited
Biography
Kate Dorney is a Senior Lecturer in Theatre & Performance at the University of Manchester, UK. Her research focuses on theatre in Britain in the 20th and 21st centuries, and in particular on playwriting, feminist theatre history, arts funding and archival and curatorial studies. Her books include The Changing Language of Modern English Drama (2009), Played in Britain: Modern British Theatre in 100 Plays (2012, with Frances Gray) and Stage Women (2019, with Maggie B Gale).
