Wittgenstein's Vienna Revisited

Description

Fin de siecle Vienna was once memorably described by Karl Kraus as a "proving ground for the destruction of the world." In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world masking social and political problems and tension, as well as a center for the far-reaching explorations and innovations in music, art, science,... Read more

Fin de siecle Vienna was once memorably described by Karl Kraus as a "proving ground for the destruction of the world." In the decades leading to the World War that brought down the Austro-Hungarian empire, the city was at once an operetta dream world masking social and political problems and tension, as well as a center for the far-reaching explorations and innovations in music, art, science, and philosophy that would help to define modernity. One of the most powerful critiques of the retreat into fantasy was that of the philosopher Ludwig Wittgenstein, whose early career in Vienna has helped frame debates about ethical and aesthetic values in culture. In Wittgenstein's Vienna Revisited Allan Janik expands upon his work Wittgenstein's Vienna (co-authored with Stephen Toulmin) to amplify a number of significant points concerning the genesis of Wittgenstein's thought, the nature of Viennese culture, and criticism of contemporary culture.

Although Wittgenstein is the central figure in this volume, Janik places considerable emphasis on other influential figures, both Viennese and non-Viennese, in order to break down some of the persistent stereotypes about the philosopher and his surrounding culture, especially the myths of "carefree" Vienna and Wittgenstein the positivist. The persistence of these myths, in Janik's view, stems in part from the inability of many historians to differentiate past from present in the evaluation of intellectual currents. Janik reviews a number of figures overlooked in assessing Wittgenstein: Otto Weininger, Kraus, Schoenberg, Nietzsche, Wagner, Ibsen, Offenbach, and Georg Trakl. All of these, Janik demonstrates, are absolutely necessary to understand what was at stake in the debates on aestheticism and the critique of a modern culture.

Wittgenstein's efforts to recognize the limits of thought and language and thus to be fair to science, religion, and art account for his place of honor among critical modernists. These essays elucidate Wittgenstein's perspective on our culture.

Read less

Introduction: How Not to View Vienna 1900; 1: The Critical Modernism of a Viennese Composer; 2: Weininger’s Critique of a Narcissistic Culture; 3: Weininger, Ibsen, and the Origins of Viennese Critical Modernism; 4: Ebner Contra Wagner: Epistemology, Aesthetics, and Salvation in Vienna, 1900; 5: Offenbach: Art between Monologue and Dialogue; 6: Saint Offenbach’s Postmodernism; 7: Saying and Showing: Hertz and Wittgenstein; 8: Wittgenstein’s “Religious Point of View”; 9: Kraus, Wittgenstein and the Philosophy of Language; 10: Wittgenstein, the Vienna Circle, and European Culture; 11: Wittgenstein on Madness, Mistakes, Metaphysics and Method; 12: “Ethik und Ästhetik Sind Eins”: Wittgenstein and Trakl

Author(s)

Biography

Michael Blowfield, Charlotte Karam. Dima Jamali

Wittgenstein's Vienna Revisited

Description

Table of Contents

Author(s)

Biography

SOCIAL NETWORKS

Secure Shopping Payment Options