1st Edition

Women, Fertility, and Maternal Art in Renaissance Florence

By Costanza Gislon Dopfel Copyright 2025
310 Pages 45 B/W Illustrations
by Routledge

310 Pages 45 B/W Illustrations
by Routledge

310 Pages 45 B/W Illustrations
by Routledge

Women, Fertility, and Maternal Art in Renaissance Florence examines maternity-centered art to reveal women’s crucial function in saving Florence from a depopulation catastrophe. Nativity and Madonna and Child images that graced many households and chapels in Florentine society formed a program of visual indoctrination, championing a 'birth epic' that glorified the social duty of reproduction... Read more

Introduction  PART I: Maternal Art  1. Mary as Queen  2. Mary as Mother  3. The Nativity of Jesus  4. St Bridget’s Vision  5. The Nativity of Mary  PART II: Society and Art  6. Florence and the Fight for Survival  7. Marriage  8. Female Visual Epic  9. Children  10. Widows, Nuns, and Patrons

Biography

Costanza Gislon Dopfel is Professor of Art History at Saint Mary’s College of California. Born in Milan, Italy, she received her doctorate from Stanford University. Her recent publications include the edited volumes Nascere (2017), Pregnancy and Childbirth in the Premodern World (2019), and Maternal Materialities: Objects, Rituals and Material Evidence of Medieval and Early Modern Childbirth (2024).