1st Edition

Women and Photography in Apartheid South Africa

By Marie Meyerding Copyright 2025
240 Pages 19 Color & 51 B/W Illustrations
by Routledge

240 Pages 19 Color & 51 B/W Illustrations
by Routledge

240 Pages 19 Color & 51 B/W Illustrations
by Routledge

Tracing the lives and works of five women in four case studies, author Marie Meyerding examines the representation of women in the field of photography in South Africa in the second half of the twentieth century. All of them are critically understudied, with no existing scholarship dedicated exclusively to their photographic contributions. Focusing on the representation of women on two... Read more

Introduction

The Power of Language

Women and Photography in South Africa Before Apartheid

Women and Photography During Apartheid

Archives and Access

Missing Images

Turning to Methods

 

Chapter 1 | ‘Africa’s First Woman Press Photographer’: Mabel Cetu’s Photographs in Zonk!

‘Woman of Many Parts’

Zonk! and the Politics of Representation

‘Zonk Trains Africa’s First Woman Press Photographer’

Picturing Everyday Life: ‘MABEL REPORTS from P.E.’

Gendered Visions

The Portrait of a Community

Beyond Zonk!

Conclusion

 

Chapter 2 | An Intimate Lens: Jansje Wissema and the Recognition of Photography as Art in South Africa

A Short Biography Full to the Brim

Jansje Wissema’s Cape Town at the South African National Gallery

South African Women and The Family of Man

District Six and Questions of Politics

Wissema’s Photographs in Private Collections

Conclusion

 

Chapter 3 | The Gendered Politics of Visibility: Struggle Photography, Afrapix and Lesley Lawson’s Working Women

A Gendered Perspective on Struggle Photography

Photobooks as a Means of Struggle

Photobooks for the Feminist Enterprise

Lawson’s Working Women

Between Content and Form

Structure and Content of Working Women

The Politics of Visibility

Agency in Working Women

Conclusion

 

Chapter 4 | Questions of Authorship and Attribution: On the Photographic Practice of Mavis Mtandeki and Primrose Talakumeni

The Personal and Political Lives of Talakumeni and Mtandeki

Becoming Photographers

Exhibition History

Attribution and Authorship

Looking Closer

Conclusion

Epilogue

 

Conclusion

A Short Recap

Women and Photography in South Africa After Apartheid

Closure and Opening

 

Bibliography

Biography

Marie Meyerding is a postdoc with a Walter Benjamin position (German Research Foundation) at the Institute of Art and Musicology at the Technical Universität Dresden and received her PhD from Freie Universität Berlin. Her research is published in African Arts, Third Text, kritische berichte, Critical Arts, Safundi, Camera Austria and sehepunkte and she is the author of Sights of Struggle: The History of the Tambo Village Women.