Women and Shakespeare's Cuckoldry Plays: Shifting Narratives of Marital Betrayal, 1st Edition (Hardback) book cover

Women and Shakespeare's Cuckoldry Plays

Shifting Narratives of Marital Betrayal, 1st Edition

By Cristina León Alfar

Routledge

244 pages

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Description

How does a woman become a whore? What are the discursive dynamics making a woman a whore? And, more importantly, what are the discursive mechanics of unmaking? In Women and Shakespeare’s Cuckoldry Plays: Shifting Narratives of Marital Betrayal, Cristina León Alfar pursues these questions to tease out familiar cultural stories about female sexuality that recur in the form of a slander narrative throughout William Shakespeare’s work. She argues that the plays stage a structure of accusation and defense that unravels the authority of husbands to make and unmake wives. While men’s accusations are built on a foundation of political, religious, legal, and domestic discourses about men’s superiority to, and rule over, women, whose weaker natures render them perpetually suspect, women’s bonds with other women animate defenses of virtue and obedience, fidelity and love, work loose the fabric of patrilineal power that undergirds masculine privileges in marriage, and signify a discursive shift that constitutes the site of agency within a system of oppression that ought to prohibit such agency. That women’s agency in the early modern period must be tied to the formations of power that officially demand their subjection need not undermine their acts. In what Alfar calls Shakespeare’s cuckoldry plays, women’s rhetoric of defense is both subject to the discourse of sexual honor and finds a ground on which to “shift it” as women take control of and replace sexual slander with their own narratives of marital betrayal.

Table of Contents

CONTENTS

Acknowledgments

Introduction: Neither Silent nor Obedient: Women and Shakespeare’s Cuckoldry Plays

Chapter One: Early Modern Women’s Narratives of Marital Betrayal

Chapter Two: ‘A woman of quick sense’: Women’s Agency in Troilus and Cressida and The Merry Wives of Windsor

Chapter Three: ‘Manhood is melted into curtsies’: Shifting Masculine Honor in Much Ado about Nothing

Chapter Four: ‘An essence that’s not seen’ or ‘an odious damned lie’: The Ethics of Competing Narratives in Othello

Chapter Five: ‘Paper bullets of the brain’: Revising the Cuckoldry Play in The Winter’s Tale and Cymbeline

Post Script

Index

About the Author

Cristina León Alfar is Associate Professor of English at Hunter College, CUNY, USA.

About the Series

Women and Gender in the Early Modern World

Women and Gender in the Early Modern World
The study of women and gender offers some of the most vital and innovative challenges to current scholarship on the early modern period. For more than a decade now, Women and Gender in the Early Modern World has served as a forum for presenting fresh ideas and original approaches to the field. Interdisciplinary and multidisciplinary in scope, this Routledge series strives to reach beyond geographical limitations to explore the experiences of early modern women and the nature of gender in Europe, the Americas, Asia and Africa. We welcome proposals for both single-author volumes and edited collections which expand and develop this continually evolving field of study.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
LIT000000
LITERARY CRITICISM / General
LIT004120
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
LIT015000
LITERARY CRITICISM / Shakespeare
LIT019000
LITERARY CRITICISM / Renaissance
LIT024010
LITERARY CRITICISM / Modern / 16th Century
LIT024020
LITERARY CRITICISM / Modern / 17th Century