346 Pages
by
Routledge
346 Pages
by
Routledge
This selection of nineteen essays by Nigel Wilkins, in English and in French, is characterised by an inter-disciplinary approach crossing the borders between music, language, literature, history, palaeography and iconography. The principal topic is lyric poetry in the fourteenth and fifteenth centuries, mostly French and English, both with and without music, and in various contexts. Guillaume de... Read more
Contents: Preface; Part I Old and Middle French Literature: Yet more concerning the tavern bills in Jean Bodel's Jeu de Saint Nicolas; The structure of ballades, rondeaux and virelais in Froissart and in Christine de Pisan; Charles d'Orléans: avec musique ou non?; François Villon, poète universel; En regardant vers le païs de France: the ballade and the rondeau, a cross-Channel history. Part II Lyric Poetry and Music in the 14th Century: The Codex Reina: a revised description; Some notes on Philipoctus de Caserta (c.1360?-c.1435); The post-Machaut generation of poet-musicians; Music in the 14th century Miracles de Nostre Dame; Guillaume de Machaut 1300-1377; The late medieval French lyric: with music and without; A pattern of patronage: Machaut, Froissart and the Houses of Luxembourg and Bohemia in the 14th century; Music and poetry at court: England and France in the late Middle Ages; Chaucer and music. Part III Musical Iconography: The birds, the bishop and the music of brass; Le fête de la guilde des Archers du Maître de Francfort (1493) et la musique des confréries. Part IV General Studies in Music, Language and Literature: The Devil's music; Le plurilinguisme au Moyen Age dans le contexte musical; D'où vient la créativité musicale? Le rôle de l'inspiration dans la musique médiévale; Index.
Biography
Nigel Wilkins is Professor at the University of Paris-Sorbonne, France
