368 pages | 1 B/W Illus.
In Write to TV 3rd edition industry veteran Martie Cook offers practical advice on writing innovative television scripts that will allow you to finally get that big idea out of your head and onto the screen. With this book, you’ll learn to craft smart, original stories and scripts for a variety of television formats and genres, including comedy, drama, pilots, web series, and subscription video on demand.
This new edition has been updated with expanded coverage on writing for global audiences, content creation for streaming services such as Netflix, Amazon and Hulu, as well as writing the web series, podcasts and utilizing free platforms such as YouTube. It also features new chapters on writing for niche markets; breaking into the writers’ room; creating binge-worthy series and how to accompany pilot scripts with a series pitch document. Plus, expanded information on creating complex and compelling characters including writing anti-heroes and strong female protagonists and much, much more.
Including information directly from studio and network executives, agents, and managers on what they’re looking for in new writers and how to avoid common pitfalls, advice from successful creators and showrunners on creating original content that sells, and tips from new writers on how to get into a writers’ room and stay there. This book contains information from over 20 new interviews, access to sample outlines, script pages, checklists, and countless other invaluable resources, and is the ideal book for anyone who wants to break into the TV writing industry.
"Martie Cook’s Write to TV is an essential tool and resource in the screenwriting classroom. Students learn from excellent examples and a diverse array of writing topics that equip future writers into the dynamic and ever expanding world of writing for television and streaming media. Terrific book, my students love it!"
Eric Swelstad, Professor/Chair, Media Arts Los Angeles Valley College
Praise for the Previous Edition:
"Martie Cook has one of the best minds out there when it comes to writing for television. Her experience and insight played a crucial role in shaping my writing career, and I'm thrilled for the aspiring writers who will surely benefit from the wisdom in these pages!"
Jon Rineman, Writer, The Tonight Show Starring Jimmy Fallon
"Martie Cook's Write to TV is required reading for anyone considering a career in TV writing. More than any other single thing, I owe my success to following her teachings."
Matt Fusfeld, Writer/Producer New Girl; Community; American Dad
"I think this is about the best book on writing for television out there. I hope it sells like crazy because television will be better for it."
Peter Dunne, Emmy and Peabody Award-Winning Writer/Producer, CSI; Melrose Place; Dallas; Knots Landing; Author, Emotional Structure
"Write to TV takes you inside the minds of writers, producers, and network suits in this brutally honest book. A ‘must read’ for anyone who has the dream of making it in Hollywood. I wish I had read this book 20 years ago!"
Glenn Meehan, Producer, The Talk; Little People, Big World; Entertainment Tonight
"Martie Cook’s Write to TV is the best book I’ve found on the subject in 20 years as a prime time writer/producer and 15 years as a college professor teaching the subject. I highly recommend it for anyone who wants to learn the ins and outs of writing TV comedy and drama."
Ross Brown, Associate Professor of Film and Media Arts, Dodge College at Chapman University; Writer, The Cosby Show; Who's the Boss?; Step By Step; Author, Create Your Own TV Series for the Internet
"Write to TV is an invaluable resource not just for writers but for anyone interested in getting the inside scoop about the way the industry works and how to break in. It gives an extensive overview of the current world of TV and a step-by-step guide for the new writer in town. It's anecdotal yet informational, entertaining yet insightful. Because the author has lived this experience, she can give a first hand step-by-step account of how you get from that first pitch to the on-screen credit."
Libby Beers, Executive Producer, The Christmas Ornament; Bringing Ashley Home
"Martie Cook imparts a tremendous amount of knowledge in a way that is both easy to understand and entertaining. It is like having a mentor in book form."
Christopher Crowe, Writer, The Last of the Mohicans; Fear
"Martie Cook’s Write To TV is a smart ‘How It Is’ book. It’s an inspiring and edifying insider’s first-hand experience and knowledge imparted lovingly and entertainingly. It’s a book you can’t set down once you begin and when you’re done you’ll know what it takes to be successful in breaking into the business—the rest is up to you."
Hassan Ildari, Writer/Director, Face of the Enemy; Assistant Professor, Emerson College
PART I How Hollywood Works
Chapter 1 FROM DINOSUAR TO DIGITAL: AN OVERVIEW OF THE TV INDUSTRY
Chapter 2 THE LAY OF THE LAND
Chapter 3 THE SPECTACULAR SPEC
Chapter 4 GETTING YOUR SCRIPTS READ
PART II Comedy
Chapter 5 WRITING FOR LAUGHS
Chapter 6 DEVELOPING YOUR COMEDIC STORY
Chapter 7 COMEDIC STRUCTURE
Chapter 8 OUTLINING YOUR COMEDIC STORY
Chapter 9 SCRIPTING YOUR COMEDY
Chapter 10 OTHER KINDS OF TV COMEDY
PART III Drama
Chapter 11 PLOT-DRIVEN DRAMAS
Chapter 12 CHARACTER-DRIVEN DRAMA
Chapter 13 FORMATTING FOR DRAMA
Chapter 14 DRAMADIES
PART IV Creating Original Series
Chapter 15 THE MECHANICS OF a TELEVISION PILOT
Chapter 16 BUILDING YOUR SERIES FROM THE GROUND UP
Chapter 17 SELLING AN ORIGINAL IDEA
PART V Characters
Chapter 18 CREATING COMPLEX AND COMPELLING CHARACTERS
PART VI Dialogue
Chapter 19 WRITING DIALOGUE THAT DANCES ON
PART VII Rewriting, a Necessary Evil
Chapter 20 REWRITE THE HECK OUT OF IT
PART VIII Pitch Perfect: How to Pitch Stories and Series
Chapter 21 ESSENSIALS OF A PROFESSIONAL PITCH
Chapter 22 PITCHING IDEAS FOR EXISITING
Chapter 23 PITCHING PILOTS
PART IX Niche Can Be Nice
Chapter 24 WRITING FOR FRAGMENTED AUDIENCES
PART X Thinking Out of the Box
Chapter 25 WEB SERIES AND PODCASTS
PART XI The Business Side of Television
Chapter 26 THE WRITERS GUILD OF AMERICA
Chapter 27 AGENTS, MANAGERS, AND ENTERTAINMENT ATTORNEYS
Chapter 28 WRITING TEAMS
PART XII How to Get Your Foot in the Door
Chapter 29 HOW TO GET WORK AS A
Chapter 30 GETTING THE INTERVIEW
Chapter 31 CONGRATULATIONS, YOU’VE GOT THE
JOB … NOW WHAT?
Chapter 32 THE POWER OF NETWORKING
Should You Bring Your Spec Scripts?
Chapter 33 OTHER THINGS THAT CAN HELP YOU
Chapter 34 Welcome to the Room!
Chapter 35 Some Final Thoughts
SOME LEFTOVER PEARLS