Writing War in Britain and France, 1370-1854: A History of Emotions brings together leading scholars in medieval, early modern, eighteenth-century, and Romantic studies. The assembled essays trace continuities and changes in the emotional register of war, as it has been mediated by the written record over six centuries.
Through its wide selection of sites of utterance, genres of writing and contexts of publication and reception, Writing War in Britain and France, 1370-1854 analyses the emotional history of war in relation to both the changing nature of conflicts and the changing creative modes in which they have been arrayed and experienced. Each chapter explores how different forms of writing defines war – whether as political violence, civilian suffering, or a theatre of heroism or barbarism – giving war shape and meaning, often retrospectively. The volume is especially interested in how the written production of war as emotional experience occurs within a wider historical range of cultural and social practices.
Writing War in Britain and France, 1370-1854: A History of Emotions will be of interest to students of the history of emotions, the history of pre-modern war and war literature.
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This is a brand new series which straddles both medieval and early modern worlds, encouraging readers to examine historical change over time as well as promoting understanding of the historical continuity between events in the past, and to challenge perceptions of periodisation. It aims to meet the demand for conceptual or thematic topics which cross a relatively wide chronological span (any period between c. 500-1750), including a broad geographical scope. For more information about the series and the proposal process, please contact the series editor at Natasha.Hodgson@ntu.ac.uk