© 2005 – Routledge
In a world where literary scandals often end up in court, the issue of responsibility in writing has never been more important. In this groundbreaking study, Carl Tighe asks the questions every writer needs to consider:
*What is it that writers do? Are they responsible for all the uses to which their writing might be put? Or no more responsible than their readers?
*How are a writer's responsibilities compromised or defined by commercial or political pressures, or by notions of tradition or originality?
*How does a writer's audience affect their responsibilities? Are these the same for writers in all parts of the world, under all political and social systems?
The first part of this book defines responsibility and looks at its relation to ideas such as power, accuracy, kitsch and political correctness. The second part examines how particular writers have dealt with these issues through a series of often-controversial case studies, including American Psycho, Crash and The Tin Drum.
Writing and Responsibility encourages its readers to interrogate the choices they make as writers. A fascinating look at the public consequences of the private act of writing, Carl Tighe's book is a must-read for everyone who writes or studies writing.
'Finally, someone has written the book I've been wanting my students to read…Buy it; set it on your courses; work through the chapters; test it out.' - Jen Webb, International Journal for the Practice and Theory of Creative Writing
'This excellent book is invaluable for Creative Writing students. It encourages the student to question their own practice both as a writer and a reader, and asks pointed questions about the role of a writer in society.' - Julia Bell, Birkbeck, University of London, UK
'Throughout, Tighe is an intelligent, measured and informative guide. His prose effortlessly synthesizes literary and critical considerations, statistics and wider cultural contexts. Far from being simply a text-book, this sophisticated, engaged and beautifully-readable monograph ought to be read as an individual, creative contribution to contemporary thought about the writing process.' - Writing in Education
1. Introduction Part 1: Issues 2.Tradition 3. Power 4. Accuracy 5. Kitsch 6. Censorship 7. Political Correctness Part 2: Case Studies 8. New Kinds of Sex: J.G.Ballard, Crash 9. Sex, Satire and Sadism: Bret Easton Ellis, American Psycho 10. Faking a Life: Binjamin Wilkomirski, Fragments 11. Between Poland and Germany: Gunter Grass, The Tin Drum 12. African Reality: Wole Soyinka, 'The Writer in a Modern African State' 13. Witches of Croatia: Dubravka Ugresic, The Culture of Lies Conclusion Bibliography