We provide researchers, professionals, lecturers and students with books, Journals, eProducts, Resources and Information in the subject of Music
On these pages you will find information on the Routledge list, which covers Ethnomusicology and World Music, Music Education, Music Theory, Western Music Styles (Early & Classical), and more, such as Film Music, Music Technology, Music Business and Music Cognition.
There is also information on books for students and series, as well as access to our collections and contact information.
Pieces of the Musical World: Sounds and Cultures is a fieldwork-based ethnomusicology textbook that introduces a series of musical worlds each through a single "piece." It focuses on a musical sound or object that provides a springboard from which to tell a story about a particular geographic…
Paperback – 2015-05-07
The Cultural Politics of Jazz Collectives: This Is Our Music documents the emergence of collective movements in jazz and improvised music. Jazz history is most often portrayed as a site for individual expression and revolves around the celebration of iconic figures, while the networks and…
Paperback – 2015-03-05
Transnational Studies in Jazz
Jazz Sells: Music, Marketing, and Meaning examines the issues of jazz, consumption, and capitalism through advertising. On television, on the Internet, in radio, and in print, advertising is a critically important medium for the mass dissemination of music and musical meaning. This book is a study…
Paperback – 2015-03-03
Transnational Studies in Jazz
Music and Traditions of the Arabian Peninsula provides a pioneering overview of folk and traditional urban music, along with dance and rituals, of Saudi Arabia and the Upper Gulf States of Kuwait, Bahrain, and Qatar. The nineteen chapters introduce variegated regions and subcultures and their rich…
Paperback – 2014-12-17
Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording…
Paperback – 2014-12-12
Developing Musicianship through Aural Skills, Second Edition, is a comprehensive method for learning to hear, sing, understand, and use the foundations of music as part of an integrated curriculum, incorporating both sight singing and ear training in one volume. Under the umbrella of musicianship,…
Paperback – 2014-12-09
Music: A Social Experience offers a topical approach for a music appreciation course. Through a series of subjects–from Music and Worship to Music and War and Music and Gender–the authors present active listening experiences for students to experience music's social and cultural impact. The book…
Hardback – 2016-06-28
The major objective of this collection of twenty-eight essays is to analyze the trends, musical formats, and rhetorical devices used in popular music to illuminate the human condition. By comparing and contrasting musical offerings in a number of countries and in different contexts from the…
Paperback – 2016-06-28
The Music Industry Handbook, Second edition is an expert resource and guide for all those seeking an authoritative and user-friendly overview of the music industry today. The new edition includes coverage of the latest developments in music streaming, including new business models created by the…
Paperback – 2016-06-27
Routledge is pleased to introduce our new program of short form publications. This exciting new format allows academics the flexibility to publish innovative
peer-reviewed research with a short turnaround.
The Routledge Music and Screen Media Series, edited by Neil Lerner, offers edited collections of original essays on music in particular genres of film, television, video games and new media. These edited essay collections are written for an interdisciplinary audience.
Ahead of the First Annual LA Post Fest, our author Steven Saltzman and competition judge sat down with The Los Angeles Post Production Group (LAPPG) to discuss music editing.
Genevieve Aoki acquires books on music, focusing on areas including music theory, popular music, American music, music and film/media, music business, and music technology. She publishes textbooks and supplementary books for courses at the university level, as well as handbooks, edited collections, and research monographs. Among the series she manages are the Music and Screen Media series and the Routledge Global Popular Music series. She is especially interested in books that make current scholarship, emerging paradigms, and innovative approaches accessible to a student audience.
Heidi Bishop commissions monographs (single-authored and edited collections), handbooks, companions and supplementary texts in the areas of music education research, teaching and practice, popular music, music and culture, aesthetics, screen music, musical theatre, music and gender, sociology of music, music and politics as well as classical music from the Baroque period right up to the present day. Heidi developed the Ashgate music list over a period of 15 years and continues this work with Routledge. Please do get in touch to discuss potential book proposals.
Constance Ditzel acquires books for music, showcasing anchor titles in World Music, Ethnomusicology, and Music Technology. In addition, the Music list hosts developing clusters in Music Theory and Music Education – with books that complement each other and meet a particular need. With more than twenty years of experience in academic publishing, Constance is particularly attuned to the needs of teachers and students, listening to our readership for direction in content as well as delivery, and assessing writing by how it accommodates the appropriate audience. She seeks handbooks, textbooks, and an array of research monographs and edited collections in Musicology.
Emma Gallon commissions research monographs, edited collections and handbooks in Music. Her main areas of focus include classical music across all periods, opera, ethnomusicology, psychology of music, music theory and analysis, and music and material culture. She would be keen to hear from anyone considering submitting a book proposal in these areas. Emma completed her PhD on the music of Thomas Adès in 2011 and continues to be an active independent scholar in the fields of contemporary classical music, narrative and meaning, and opera.