Music

We provide researchers, professionals, lecturers and students with books, Journals, eProducts, Resources and Information in the subject of Music

On these pages you will find information on the Routledge list, which covers Ethnomusicology and World Music, Music Education, Music Theory, Western Music Styles (Early & Classical), and more, such as Film Music, Music Technology, Music Business and Music Cognition.

There is also information on books for students and series, as well as access to our collections and contact information.

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79Series in Music

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734New Products

  • Routledge Revivals: In Modernity's Wake (1989)

    The Ameurunculus Letters

    By Michael Phillipson

    First published in 1988, this book attempts to tackle the problem of how to write about art, culture, and the issues of postmodernism in a style appropriate to what is being claimed. The letters are written on art’s behalf to a range of institutions and individuals, and have as their recurring…

    Hardback – 2016-11-29
    Routledge

  • The Routledge Research Companion to Johann Sebastian Bach

    Edited by Robin A Leaver

    The Ashgate Research Companion to Johann Sebastian Bach provides an indispensable introduction to the Bach research of the past thirty-fifty years. It is not a lexicon providing information on all the major aspects of Bach's life and work, such as the Oxford Composer Companion: J. S. Bach. Nor is…

    Hardback – 2016-11-28
    Routledge

  • Free Jazz, Harmolodics, and Ornette Coleman

    By Stephen Rush

    Free Jazz, Harmolodics, and Ornette Coleman discusses Ornette Coleman’s musical philosophy of "Harmolodics," an improvisational system deeply inspired by the Civil Rights Movement. Falling under the guise of "free jazz," Harmolodics can be difficult to understand, even for seasoned musicians and…

    Paperback – 2016-11-17
    Routledge

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Marketing Contacts

Editorial Contacts

  • Genevieve Aoki, Editor, Music

    Genevieve Aoki acquires books on music, focusing on areas including music theory, popular music, American music, music and film/media, music business, and music technology. She publishes textbooks and supplementary books for courses at the university level, as well as handbooks, edited collections, and research monographs. Among the series she manages are the Music and Screen Media series and the Routledge Global Popular Music series. She is especially interested in books that make current scholarship, emerging paradigms, and innovative approaches accessible to a student audience.

  • Heidi Bishop, Senior Editor

    Heidi Bishop commissions monographs (single-authored and edited collections), handbooks, companions and supplementary texts in the areas of music education research, teaching and practice, popular music, music and culture, aesthetics, screen music, musical theatre, music and gender, sociology of music, music and politics as well as classical music from the Baroque period right up to the present day. Heidi developed the Ashgate music list over a period of 15 years and continues this work with Routledge. Please do get in touch to discuss potential book proposals.

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  • Constance Ditzel, Senior Editor

    Constance Ditzel acquires books for music, showcasing anchor titles in World Music, Ethnomusicology, and Music Technology. In addition, the Music list hosts developing clusters in Music Theory and Music Education – with books that complement each other and meet a particular need. With more than twenty years of experience in academic publishing, Constance is particularly attuned to the needs of teachers and students, listening to our readership for direction in content as well as delivery, and assessing writing by how it accommodates the appropriate audience. She seeks handbooks, textbooks, and an array of research monographs and edited collections in Musicology.

  • Emma Gallon, Editor

    Emma Gallon commissions research monographs, edited collections and handbooks in Music. Her main areas of focus include classical music across all periods, opera, ethnomusicology, psychology of music, music theory and analysis, and music and material culture. She would be keen to hear from anyone considering submitting a book proposal in these areas. Emma completed her PhD on the music of Thomas Adès in 2011 and continues to be an active independent scholar in the fields of contemporary classical music, narrative and meaning, and opera.

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