Jean Genet

By David Bradby, Clare Finburgh

© 2012 – Routledge

214 pages

Purchasing Options:
Paperback: 9780415375061
pub: 2011-10-31
US Dollars$37.95
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Hardback: 9780415375047
pub: 2011-10-31
US Dollars$125.00
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About the Book

‘This volume is a gem. Written by two experts in modern French theater, whose stated objective is to render the complexity of Genet's work exhilarating rather than intimidating, the book bears witness to the continued political relevance and artistic power of one of the most controversial and influential authors of the 20th century.’ – CHOICE Outstanding Academic Title for 2012

Jean Genet’s significance within twentieth-century theatre has long been understated. This timely book, the only introductory text in English to Genet’s plays in production, presents an overview of an influential and controversial writer whose work prefigured many recent postmodern and post-colonial developments in theatre and performance studies.

The volume offers philosophical, historical, political and aesthetic readings of Genet’s plays in order to render the complexity of his theatre exhilarating, rather than intimidating. It goes on to explore ways in which different directors, designers and actors have approached his writing. A spectrum of productions spanning 60 years, from 1947 to 2007, illustrates the sheer range of theatrical styles that Genet’s texts inspire.

Reflecting on his early life and later political activism as well as the key plays, David Bradby and Clare Finburgh provide a comprehensive discussion of a playwright and theorist whose work caused riots in France, and whose writing represents a unique synthesis of life and art.

Reviews

'This volume is a gem. Written by two experts in modern French theater, whose stated objective is to render the complexity of Genet's work exhilarating rather than intimidating, the book is neatly organized into two equally important parts. The first provides an overview of Genet's life and politics along with a concise reading of the philosophical, historical, and aesthetic implications of six masterworks: The Maids, Deathwatch, Splendid, The Balcony, The Blacks, and The Screens. The second focuses on the remarkable range of styles that Genet's texts inspire and the multiple ways in which directors, designers, and actors have infused life into his plays over the past 60 years. Finburgh (Univ. of Essex, UK) and the much-missed Bradby (a pioneer of performance studies who died in 2011) delve into more than 20 groundbreaking productions, from Louis Jouvet's naturalist staging of The Maids (1947) to Ultz and Excalibah's hip-hop, slam-poetry remix of The Blacks (2007). Together with Edmund White's magnificent Genet: A Biography (CH, Mar'94, 31-3682), this short but comprehensive treatment bears witness to the continued political relevance and artistic power of one of the most controversial and influential authors of the 20th century. Summing Up: Essential.' C.B. Kerr, CHOICE

Table of Contents

Contents

List of illustrations

Acknowledgements

Part I

Life, politics and play-texts

1 Life and politics

2 Key early plays: The Maids, Deathwatch, Splendid’s

3 Key late plays: The Balcony, The Blacks, The Screens

Part II

Key productions

4 Key productions and production issues: The Maids, Deathwatch

5 Key productions and production issues: The Balcony, The Blacks

6 Key productions and production issues: The Screens

Notes

Bibliography

Index

About the Authors

David Bradby was Emeritus Professor of Drama and Theatre Studies at Royal Holloway. He was the UK’s leading specialist in modern French theatre, writing several seminal works on the subject, including Le Théâtre en France (2007) and Modern French Drama (1984, 1991). He was also a prolific translator of French dramatists, including Michel Vinaver and Bernard-Marie Koltès.

Clare Finburgh is Senior Lecturer in Modern Drama at the University of Essex. She has co-edited Genet: Performance and Politics (with Carl Lavery and Maria Shevtsova, 2006) and Contemporary French Theatre and Performance (with Carl Lavery, 2011). She has published many articles on Genet, and a range of contemporary French and Francophone theatre-makers including Valère Novarina, Noëlle Renaude and Kateb Yacine.

About the Series

Routledge Modern and Contemporary Dramatists

Routledge Modern and Contemporary Dramatists is a new series of innovative and exciting critical introductions to the work of internationally pioneering playwrights. The series includes well-established playwrights and offers primary materials on contemporary dramatists who are under-represented in secondary criticism. Each volume provides detailed cultural, historical and political material, examines selected plays in production, and theorises the playwright’s artistic agenda and working methods, as well as their contribution to the development of playwriting and theatre.

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Subject Categories

BISAC Subject Codes/Headings:
LIT013000
LITERARY CRITICISM / Drama
PER000000
PERFORMING ARTS / General
PER011000
PERFORMING ARTS / Theater / General
PER011020
PERFORMING ARTS / Theater / History & Criticism