Made In Brazil

Studies In Popular Music

Edited by Martha Tupinambá de Ulhôa, Cláudia Azevedo, Felipe Trotta

© 2015 – Routledge

250 pages

Purchasing Options:
Hardback: 9780415625609
pub: 2014-10-09
US Dollars$140.00
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About the Book

Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.

Table of Contents

Introduction: Listening to popular sonorities: a historic overview of the music and popular music studies in Brazil Part I: Samba and Choro Part II: History, Memory, and Representations Part III: Critique, Mediation, and Value Part IV: Music, Market, and New Media Coda From roots to networks: listening a world called Brazil "So when are the dancers coming out?": Representations of Brazilian music in New York City Afterword Electronic and acoustic, modern MPB: A conversation with Lenine

About the Editors

Martha Tupinambá de Ulhôa is Professor of Musicology at UNIRIO—Universidade Federal do Estado do Rio de Janeiro—and Researcher of the Brazilian National Research Council (CNPq).

Cláudia Azevedo is lecturer and developer of a post-doctoral research project on popular music analysis (with a FAPERJ—Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro—scholarship) at the Program of Post-Graduation in Music at UNIRIO—Universidade Federal do Estado do Rio de Janeiro.

Felipe Trotta is a faculty member of Media Studies Department at UFF—Universidade Federal Fluminense—and researcher of the Brazilian National Research Council (CNPq).

About the Series

Routledge Global Popular Music Series

The Routledge Global Popular Music Series provides popular music scholars, teachers, students, and musicologists with a well-informed and up-to-date introduction to different world popular music scenes. The series of volumes can be used for academic teaching in popular music studies, or as a collection of reference works. Written by those living and working in the countries about which they write, this series is devoted to popular music largely unknown to Anglo-American readers.

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Subject Categories

BISAC Subject Codes/Headings:
MUS000000
MUSIC / General