2nd Edition
Projecting Politics Political Messages in American Films
I. Studying Political Films
1. Setting the Scene: A Theory of Film and Politics
2. The Making of a Message: Film Production and Techniques and Political Messages
3. Causes and Special Effects: The Political Environment of Film
II. Political Films by Decade
4. Politics in the Silent Movies
5. The 1930s: Political Movies and the Great Depression
6. The 1940s: Hollywood Goes to War
7. The 1950s: Anti-Communism and Conformity
8. The 1960s: From Mainstream to Counterculture
9. The 1970s: Cynicism, Paranoia, War and Anticapitalism
10. The 1980s: New Patriotism, Old Reds, and a Return to Vietnam in the Age of Reagan
11. The 1990s: FX Politics
12. The 2000s: 9/11 and Beyond
III. Political Films by Topic
13. True Lies? The Rise of Political Documentaries
14. Film and the Politics of Race: The Minority Report
15. Women, Politics, and Film: All About Eve?
16. White House Down? Politics in Disaster
Appendix
Closing Credits: A Political Filmography
Biography
A recipient of a Woodrow Wilson Fellowship in the Humanities, Elizabeth Haas has published in numerous journals and teaches film studies at the University of Bridgeport in Connecticut.
The author of many books including Local Politics: Governing at the Grassroots, Terry Christensen is professor emeritus in the political science department at San Jose State University in California.
Peter J. Haas, recipient of a Fulbright Foundation Senior Specialist grant, is education director for the Mineta Transportation Institute and teaches political science at San Jose State University.
"This well-researched, clearly-written, and informative view of politics and film will be appreciated by scholars and students alike. The aptly-titled Projecting Politics systematically surveys, decade by decade, the history of overt and covert political messages in American films from the silent era to the present day in refreshingly readable prose. Whether addressing explicit movies about Democrats and Republicans or subtextual sociopolitical issues such as race, gender, sexuality, and social class, the authors successfully merge political science and cinema studies in an engaging synthesis. Using an integrative cultural studies perspective, this volume also uncharacteristically (and significantly) offers a look at both the financial side and the artistic aspects of filmmaking that convey themes and ideological meaning in more subtle ways than obvious plot and dialogue. Thus, this volume could serve as a work of interdisciplinary scholarship, a course textbook, or just a great read. The revised and expanded second edition brings this all up to date, and with special attention to documentaries, cable-TV movies, and genre studies." —Frank P. Tomasulo, Pace University
"In a slowly expanding literature on film and politics, the substantially expanded second edition of Projecting Politics features among the very best monographs on the subject. The two new chapters complement the millennial filmography of this ‘problematic’ genre and along with updated chapters on the intersections of politics, race, and gender offer valuable and original insight to the closer relationship between film and politics in the 21st century. Projecting Politics should be included in every reading list of not only film and politics courses but also in media, and political science departments." —Betty Kaklamanidou, Aristotle University, Greece
"This text successfully delivers its message through the historical and contemporary analyses of films and the political messages they seek to convey. The newly revised edition provides a fresh and contemporary perspective on this fascinating subject." —Kenneth Christie, Royal Roads University
