List of Figures Musical Examples on Compact Disc List of Examples on Companion Website About the Author Series Foreword by Michael B. Bakan Preface Maps East Asian Historical Periods Part I. Japanese Music and Culture 1. Japanese Music in Geographical, Historical and Cultural Context 2. Japanese Cultural Identity and Musical Modernity Part II. Sounding Japan 3. Performing Music of the Pre-Modern Era 4. Making Music in the Modern Era Part III. Focusing In: Identity, Meaning and Japanese Drumming in Kyoto 5. Taiko and the Marketing of Tradition in Kyoto 6. Four Case Studies and Some Conclusions: Tosha Rōetsu and the Pontochō Okeiko Basara and the One-Room Schoolhouse Matsuri-shū and the Kyoto Taiko Center Murasaki Daiko and the Proper Dōjō 7. Conclusion: The Future of Japanese Music Appendices: A. "Echigojishi" (Yoshizumi Kojūrō-fu for shamisen) B. "Echigojishi" (Kineya bunkafu for shamisen) C. "Echigojishi" (Japanese score for ko-tsuzumi and ō-tsuzumi by Tosha Rōetsu) D. "Echigojishi" (Western score for ko-tsuzumi and ō-tsuzumi by Yamauchi Reach) Glossary Additional Resources
Biography
Jennifer Milioto Matsue is an Associate Professor at Union College and specializes in modern Japanese music and culture.
