© 2013 – Routledge
While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller + Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp’s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas… demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.
’Recently in many architectural schools efforts intensified to further develop architectural research. Exciting new avenues are being explored, relying upon the design skills of architects and urban designers, combining them with intellectual rigor and in-depth thinking, in order to imagine new spatialities and to unfold hitherto unknown spatial experiences. This series highlights the innovative results of these explorations, opening up a new world of path-breaking research.’ Hilde Heynen, University of Leuven, Belgium ’Recommended.’ Choice
Contents: Introduction; Allegory: The Fall; The Blossoming of Perspective: An Architectural Analysis of Given; Visuality: The Act of Looking; Desire: Female Nude Drawing; Defrocked Cartesians: Duchamp’s Influences and Legacy; Bibliography; Index.
Bridging a range of positions between practice and academia, this series seeks out the best proponents of architectural design research from around the world. These texts will be varied in tone and structure, and will discuss aspects including design method, visual representation, textual analysis, social processes, and strategies for action. The series is to be deliberately inclusive in order to encourage a novel and vibrant kind of approach for architectural research. Each of the books will contain a large amount of serious and innovative historical or theoretical research, combined with creative propositions realized through a mixture of drawings, models and textual analysis. It is the essential symbiotic interplay between these components which creates the framework for design research in architecture.
The precise working of the interplay of text and project in architectural design research remains a much debated and relatively unformed issue, and this is of course symptomatic of the conditions facing any newly emerging subject area. The broader questions and theoretical structures of design research have formed the basis of discussions in international refereed journals such as The Journal of Architecture, and there is undoubtedly more intellectual work to be done in such areas. But there is also the need to form knowledge and method through actual propositions, with these studies enabling their authors not just to explore, propose and reflect on their specific subject-at-hand, but also on the wider nature of design research in general. It is for this express reason that this series aims to publish as widely as possible a number of the very best outputs in the field of design research, to allow others to use them as exemplars or to take issue with them through reasoned critique. It is a fertile time for design research and this book series will act at the heart of these investigations and discussions.