Collecting has a long tradition in the Middle East but the museum as a public institution is relatively new. Today there are national museums for antiquities in most Arab countries. While in some cases the political and social climate has hindered the foundation of museums, with existing collections even destroyed at times, the recent museum boom in the Gulf States is again changing the outlook. This unique book is the first to explore collecting practices in archives and museums in the modern Arab world, featuring case studies of collecting practices in countries ranging from Egypt and Lebanon to Palestine, Jordan, Iraq and the Gulf, and providing a theoretical and methodological basis for future research. The authors are also concerned with investigating the relationship between past and present, since collecting practices tell us a great deal not only about the past but also about the ways we approach the past and present conceptions of our identities. Collections can be textual as well, as in the stories, memories or events selected, recalled, and retold in the pages of a text. As interest in memory studies as well as popular and visual culture grows in the Arab World, so collecting practices are at the heart of any critical approach to the past and the present in that region. The book will be of great interest not only to scholars and students of the modern Arab world but also to professionals in museums and collections in the region, as well as around the world.
'This is a pioneering book that sheds light on a wide-ranging view of collecting practices in the Arab world. Readers interested in the cultural history of the region, the origins of modernity and the making of a national identity would find it a vital source. With the recent boom in the art market and the fever of collecting raging in the oil-rich Gulf countries, this work offers a critical reflection and an essential reading for art historians, collectors, art dealers, academics and students of art. It shall remain a key reference for years to come.'
- Kamal Boullata, Author of Palestinian Art from 1850 to the Present
Contents: Introduction: challenges and directions in an emerging field of research, Sonja Mejcher-Atassi and John Pedro Schwartz; Part I Local Representations of Modernity: Collecting the nation: lexicography and national pedagogy in al-nahda al-'arabiya, Nadia Bou Ali; Between looters and private collectors: the tragic fate of Lebanese antiquities, Hélène Sader; Tawfik Canann - collectionneur par excellence: the story behind the Palestinian amulet collection at Birzeit University, Vera Tamari. Part II Collecting Practices, Historiographic Practices: The good, the bad and the ugly: collector, dealer and academic in the informal old-paper markets of Cairo, Lucie Ryzova; The reform of history school textbooks in Lebanon: collecting conflict memories in a peace-building process (1996-2001), Betty Gilbert Sleiman; The Beit Beirut project: heritage practices and the Bakarat building, Sophie Brones. Part III From Institutional to Artistic Practices of Collecting: The formation of the Khalid Shoman private collection and the founding of Darat al Funun, Sarah A. Rogers; The ecstasy of property: collecting in the United Arab Emirates, Emily Doherty; Collecting modern Iraqi art, Nada Shabout; Collecting the uncanny and the labour of missing, Walid Sadek; Index.