Circulations in the Global History of Art (Hardback) book cover

Circulations in the Global History of Art

Edited by Thomas DaCosta Kaufmann, Catherine Dossin, Béatrice Joyeux-Prunel

© 2015 – Routledge

262 pages

Purchasing Options:$ = USD
Paperback: 9781138295568
pub: 2017-05-31
$49.95
x
Hardback: 9781472454560
pub: 2015-05-28
$120.00
x
eBook (VitalSource) : 9781315572062
pub: 2016-03-03
from $54.95
$38.47


FREE Standard Shipping!
Look Inside

Description

The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.

Reviews

’Like people and ideas, art objects travel, and they have been doing so from time immemorial. Surprisingly, art history has largely neglected to systematically examine these artistic circulations and their various consequences. By analysing the traffic of material cultural around the globe, this volume boosts the study of a key dynamic feature of art worldwide, characteristically investigated by a modern-day art history that is increasingly rejuvenating itself by developing a global perspective in both time and space.’ Wilfried van Damme, Leiden University, The Netherlands, co-editor of World Art Studies: Exploring Concepts and Approaches

'Do globalisation studies in art history have a future? Thomas DaCosta Kaufmann in his fine introductory essay on the historiography of globalism proposes that the study of objects on the move, of their circulation across cultures, is the way forward. His essay is enhanced with the strength of multiple voices in the accompanying essays. Their approach allows art history to move forward, away from nationalism and away from the limits of Western art historical questions. The book is rich in new ideas and globalisation becomes a process rather than an ideology. This process is defined in the essay by Catherine Dossin and Béatrice Joyeux-Prunel on how a geopolitical understanding may transform modernism and lead us away from Paris and New York.' Jaynie Anderson, Australian Institute of Art History, University of Melbourne, Australia

About the Editors

Thomas DaCosta Kaufmann is Frederick Marquand Professor of Art and Archaeology, Princeton University, USA. Catherine Dossin is Associate Professor of Art History, Purdue University, USA. Béatrice Joyeux-Prunel is Associate Professor of Art History, École normale supérieure, France.

About the Series

Studies in Art Historiography

Studies in Art Historiography
The aim of this series is to support and promote the study of the history and practice of art historical writing focussing on its institutional and conceptual foundations, from the past to the present day in all areas and all periods. Besides addressing the major innovators of the past it also encourages re-thinking ways in which the subject may be written in the future. It ignores the disciplinary boundaries imposed by the Anglophone expression 'art history' and allows and encourages the full range of enquiry that encompasses the visual arts in its broadest sense as well as topics falling within archaeology, anthropology, ethnography and other specialist disciplines and approaches. It welcomes contributions from young and established scholars and is aimed at building an expanded audience for what has hitherto been a much specialised topic of investigation. It complements the work of the Journal of Art Historiography.

Learn more…

Subject Categories

BISAC Subject Codes/Headings:
ART015000
ART / History / General
ART015070
ART / History / Medieval